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    <id>tag:www.de-tour.org,2008-12-24:/about//51</id>
    <updated>2010-06-30T21:57:52Z</updated>
    
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    <title>BIO</title>
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    <id>tag:www.de-tour.org,2008:/about//51.883</id>

    <published>2009-12-29T00:28:08Z</published>
    <updated>2010-06-30T21:57:52Z</updated>

    <summary>Born in Brazil &apos;62, based in New York, MFA from Hunter College &apos;98 and Whitney ISP fellow 2000. Villar&apos;s work draws from interdisciplinary theoretical sources; it employs video, installation and photography. His individual and collaborative projects are part of a...</summary>
    <author>
        <name>villar</name>
        
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        <![CDATA[<span class="mainparagraph ">Born in Brazil '62, based in New York, MFA from Hunter College '98 and Whitney ISP fellow 2000. Villar's work draws from interdisciplinary theoretical sources; it employs video, installation and photography. His individual and collaborative projects are part of a long-term investigation of potential spaces of dissent in the urban landscape; it has often taken the form of an exploration of negative spaces in architecture.</span>
<br /><br />
<span class="secondparagraph">Selected exhibitions include the New Museum, Mass MoCA, Drawing Center, Exit Art, Stux Gallery, Apexart and Dorsky Gallery in New York; Institute of International Visual Arts in London, Museu de Arte Moderna in Sao Paulo, Galleri Tommy Lund and Overgaden in Copenhagen, UKS in Oslo, Contemporary Art Centre in Vilnius, the Goteborg Konstmuseum in Sweeden, Galerie Joanna Kamm in Berlin, Signal in Malmo, Galeria Arsenal in Poland, Lichthaus in Bremen and Halle fur Kunst in Luneburg. Published articles and reviews in ReMarx, Text zur Kunst, Tema Celeste and New York Times.</span>]]>
        
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<entry>
    <title>TIMELINE</title>
    <link rel="alternate" type="text/html" href="http://www.de-tour.org/about/2009/09/timeline.html" />
    <id>tag:www.de-tour.org,2009:/about//51.1202</id>

    <published>2009-09-30T19:10:17Z</published>
    <updated>2009-09-30T19:17:20Z</updated>

    <summary></summary>
    <author>
        <name>villar</name>
        
    </author>
    
    
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        <![CDATA[<div class="dipity_embed" style="width:550px"><iframe width="550" height="400" src="http://www.dipity.com/villar/personal/embed_tl?bgcolor=%23FFFFFF&bgimg=/images/white_grad_up.png" style="border:1px solid #CCC;"></iframe></div>]]>
        
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<entry>
    <title>RESUME</title>
    <link rel="alternate" type="text/html" href="http://www.de-tour.org/about/2008/12/resume.html" />
    <id>tag:www.de-tour.org,2008:/about//51.882</id>

    <published>2008-12-29T00:22:18Z</published>
    <updated>2010-07-08T13:36:03Z</updated>

    <summary><![CDATA[ Education Solo/Collab Exhibitions Group Exhibitions Awards and Fellowships Residences Panels and Lectures Teaching Presentations Articles and Reviews&nbsp; Books, Catalogs and Brochures Interviews and Conversations Writings by the Artist Web Presence ALEX VILLAR Born in Brazil Lives and works in...]]></summary>
    <author>
        <name>villar</name>
        
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<td width="30%"><font class="Apple-style-span" color="#444444"><font class="Apple-style-span" face="trebuchet ms"><font class="Apple-style-span" id="abei" size="1"><font class="Apple-style-span" face="trebuchet ms"><a href="#EDUCATION" id="dqcj" target="_self" title="Education">Education</a><br>
<a href="#SOLO_EXHIBITIONS_AND_COLLABORATI" id="vp-v" target="_self" title="Solo/Collab Exhibitions">Solo/Collab Exhibitions</a><br>
<a href="#SOLO_EXHIBITIONS_AND_COLLABORATI" id="aaf:" target="_self" title="Group Exhibitions">Group Exhibitions</a> </font></font><font class="Apple-style-span" id="k2un" size="1"><br>
<font class="Apple-style-span" face="trebuchet ms"><a href="#Awards_and_Fellowships" id="wt18" target="_self" title="Awards and Fellowships">Awards and Fellowships</a><br>
</font></font><font class="Apple-style-span" size="1"><a href="#Residences" id="gtrc" target="_self" title="Residences">Residences</a><br>
</font></font></font></td>
<td width="20%"><font class="Apple-style-span" color="#444444"><font class="Apple-style-span" id="bm7k" size="1"><font class="Apple-style-span" face="trebuchet ms"><a href="#Panels_and_Lectures" id="w3m3" target="_self" title="Panels and Lectures">Panels and Lectures</a><br>
<a href="#Teaching" id="ai7x" target="_self" title="Teaching">Teaching</a><br>
<a href="#Presentations" id="disp" target="_self" title="Presentations">Presentations</a><br>
<a href="#BIBLIOGRAPHY_Articles_and_Reviews" id="goye" target="_self" title="Articles and Reviews">Articles and Reviews</a>&nbsp; <br>
<br>
</font></font></font></td>
<td width="33%"><font class="Apple-style-span" color="#444444"><font class="Apple-style-span" id="j5io" size="1"><font class="Apple-style-span" face="trebuchet ms"><a href="#Books,_Catalogs_and_Brochures" id="m4d7" target="_self" title="Books, Catalogs and Brochures">Books, Catalogs and Brochures</a> <a href="#Interviews_and_Conversations" id="wa-g" target="_self" title="Interviews and Conversations">Interviews and Conversations</a><br>
<a href="#Writings_by_the_Artist" id="ch_8" target="_self" title="Writings by the Artist">Writings by the Artist</a><br>
<a href="#Web_Archives" id="hb5t" target="_self" title="Web Presence">Web Presence</a><br>
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<a id="ALEX_VILLAR" name="ALEX_VILLAR"></a><font class="Apple-style-span" color="#444444" size="2"><br>
<font class="Apple-style-span" face="trebuchet ms"> ALEX VILLAR</font></font><br id="jz1t0" style="color:#444444">
<font class="Apple-style-span" color="#444444" id="prrh" size="2"><font class="Apple-style-span" face="trebuchet ms"> Born in Brazil</font></font>
<div><font class="Apple-style-span" color="#444444" id="k44-" size="2"><font class="Apple-style-span" face="trebuchet ms">Lives and works in New York and Rio de Janeiro</font></font>
<div><font class="Apple-style-span" color="#444444" id="zh6l" size="2"><font class="Apple-style-span" face="'trebuchet ms'"><a href="mailto:villar@de-tour.org" style="text-decoration:none">villar@de-tour.org</a></font> </font></div>
<div><font class="Apple-style-span" face="arial"><font class="Apple-style-span" color="#444444"><a id="okga" title="646.434-8279"></a><a href="callto:646-434-8279" id="dubr" title="646.434-8279">646.434-8279</a></font></font><br id="yr4_0" style="color:#444444">
<br id="l9.x" style="color:#444444;font-family:Trebuchet MS">
<font class="Apple-style-span" color="#444444" id="jqk6" size="2"> <a id="EDUCATION" name="EDUCATION"></a><font class="Apple-style-span" face="trebuchet ms">EDUCATION</font><br id="l4r5" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.whitney.org/www/programs/isp.jsp" style="text-decoration:none">Whitney Independent Study Program, New York, U.S. 2000</a><br>
<a href="http://www.hunter.cuny.edu/art/MFA/index.htm" style="text-decoration:none">M.F.A. Hunter College, New York, U.S. 1998</a></font><br id="uw6e" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> B.S. Hélio Alonso, Rio de Janeiro, Brazil, 1984</font><br id="nohf2">
<br>
</font><font class="Apple-style-span" color="#444444" id="fmwe" size="2"><font class="Apple-style-span" face="trebuchet ms">EXHIBITIONS<br>
<br id="azhu" style="font-family:Trebuchet MS">
</font></font> <a id="SOLO_EXHIBITIONS_AND_COLLABORATI" name="SOLO_EXHIBITIONS_AND_COLLABORATI" style="color:#444444"></a> <font class="Apple-style-span" color="#444444" id="lsf:" size="2"><font class="Apple-style-span" face="trebuchet ms"><i><b>Solo and Collaborations</b></i></font><br id="f13:" style="font-family:Trebuchet MS">
</font><font class="Apple-style-span" color="#444444" id="rnry" size="2"><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2006/11/waste-managemen.html" style="text-decoration:none">Waste Management, New York, U.S. 2006</a><br>
<a href="http://www.de-tour.org/exhibitions/2005/01/detour-at-uks.html" style="text-decoration:none">de-tour at uks, UKS, Oslo, Norway, 2005</a><br>
<a href="http://www.de-tour.org/exhibitions/2004/09/-upward-mobility-at-the.html" style="text-decoration:none">Upward Mobility, the New Museum, New York, U.S. 2004</a></font><br id="wxeo" style="font-family:Trebuchet MS">
</font><font class="Apple-style-span" color="#444444" id="yjqu" size="2"><font class="Apple-style-span" face="trebuchet ms">Tropes and Thresholds, Signal, Malmo, Sweden, 2004</font><br id="o:et" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Irrational Intervals and Other Ways, Conduit Gallery, Dallas, U.S. 2003</font><br id="fq4i" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Irrational Intervals, World Financial Center, New York, U.S. 2002</font><br id="rk4v" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2004/09/-upward-mobility-at-the.html" style="text-decoration:none">Upward Mobility, Danger Museum project room, inIVA, London, England, 2002</a></font></font>
<div style="color:#444444"><font class="Apple-style-span" id="oy0h" size="2"><font class="Apple-style-span" face="trebuchet ms">Back and Forth, Vacancy Gallery, New York, U.S. 2001</font><br id="j40-" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Not a Place, Galerie Joanna Kamm, Berlin, Germany, 2001</font><br id="imfl" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Other Ways, Art Container, New York, U.S. 2001</font><br id="o0tt" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Other Ways, Galeri Tommy Lund, Copenhagen, Denmark, 2001</font><br id="qb98" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Outerplace, Lichthaus, Bremen, Germany, 2001</font><br id="c87t" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Temporary Occupations and Other Languages, Halle für Kunst, Luneburg, Germany, 2001</font><br id="nohf3">
<br id="v-z0" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"><i><a id="GROUP_EXHIBITIONS" name="GROUP_EXHIBITIONS"></a><b> Group Exhibitions</b><br>
<span class="Apple-style-span" style="font-style:normal"> <font class="Apple-style-span" id="kzgy" size="2"><font class="Apple-style-span" face="trebuchet ms"><span class="Apple-style-span" style="font-style:normal">2010</span></font></font><br>
<a href="http://www.de-tour.org/exhibitions/2010/02/colby-museum.html" id="n.xj" title="Experimental Geography, Miller Gallery, Pittsburgh, U.S.">Experimental Geography, Colby Museum, Maine, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2010/04/post-13.html" id="prv4" title="Force of Forward, Manhattan Anchorage Bridge, New York, U.S.">Force of Forward, Manhattan Anchorage Bridge, New York, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2010/05/galeria-arsenal.html" id="y-pm" title="Bodies of Dispersion, Galeria Arsenal, Bialystok, Poland">Bodies of Dispersion, Galeria Arsenal, Bialystok, Poland</a></span></i></font></font></div>
<a href="http://www.de-tour.org/exhibitions/2010/06/museu-da-cidade.html" id="a33c" title="The Philosophy of Money, Museu da Cidade, Lisbon, Portugal">The Philosophy of Money, Museu da Cidade, Lisbon, Portugal</a>
<div style="color:#444444"><font class="Apple-style-span" id="oy0h" size="2"><font class="Apple-style-span" face="trebuchet ms"><i><span class="Apple-style-span" style="font-style:normal"><a href="http://www.de-tour.org/exhibitions/2010/06/lumen.html" id="npc1" title="Experimental Geography, James Gallery, Graduate Center, New York, U.S.">Experimental Geography, James Gallery, Graduate Center, New York, U.S.</a></span></i></font></font></div>
<div style="color:#444444"><font class="Apple-style-span" size="2"><a href="http://www.de-tour.org/exhibitions/2010/06/bankart.html" id="jqu1" title="City Beats, BankArt 1929, Yokohama, Japan">City Beats, BankArt 1929, Yokohama, Japan</a></font></div>
<div style="color:#444444"><a href="http://www.de-tour.org/exhibitions/2010/06/lumen-1.html" id="k2es" title="Lumen, Atlantic Salt, Staten Island, U.S.">Lumen, Atlantic Salt, Staten Island, U.S.</a></div>
<div style="color:#444444"><font class="Apple-style-span" id="oy0h" size="2"><font class="Apple-style-span" face="trebuchet ms"><i><span class="Apple-style-span" style="font-style:normal"><a href="http://www.de-tour.org/exhibitions/2010/06/lumen.html" id="npc1" title="Experimental Geography, James Gallery, Graduate Center, New York, U.S."></a><br>
2009</span><br>
</i></font></font><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2009/01/custom-car-commandos.html" style="text-decoration:none">Custom Car Commandos, Art in General, New York, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2009/01/latin-collector-show.html" style="text-decoration:none">The Object is Illuminated, Latin Collector, New York, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2009/01/denise-show-in-connecticut.html" style="text-decoration:none">Preemptive Resistances, Westport Arts Center, Connecticut, U.S.</a></font><br>
<a href="http://www.de-tour.org/exhibitions/2009/02/rochester-arts-center.html" id="q7-j" title="Experimental&nbsp; Geography,&nbsp;Rochester Arts Center, Rochester, U.S.">Experimental Geography, Rochester Arts Center, Rochester, U.S.</a></div>
<div style="color:#444444"><a href="http://www.de-tour.org/exhibitions/2009/03/bio-sture-fyrisbiografen.html" id="opqy" title="Konstbio: Occupant, Bio Sture in Stockholm and Fyrisbiografen in Uppsala, Sweden, 2009">Konstbio: Occupant, Bio Sture in Stockholm and Fyrisbiografen in Uppsala, Sweden</a></div>
<div style="color:#444444"><a href="http://www.de-tour.org/exhibitions/2009/05/iscp.html" id="x_lv" title="Financial District,&nbsp;International Studio &amp; Curatorial Program,&nbsp;New York, U.S. 2009">Financial District, International Studio &amp; Curatorial Program, New York, U.S.</a></div>
<div style="color:#444444"><a href="http://www.de-tour.org/exhibitions/2009/02/whitworth-art-gallery.html" id="v9ns" title="Subversive Spaces">Subversive Spaces</a><a href="http://www.de-tour.org/exhibitions/2009/02/whitworth-art-gallery.html" id="tz6g" title=":&nbsp;Surrealism and Contemporary Art,&nbsp;The Whitworth Art Gallery,&nbsp;Manchester">: Surrealism and Contemporary Art, The Whitworth Art Gallery, Manchester</a><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2009/02/whitworth-art-gallery.html" id="jivy" title=", England">, England</a>&nbsp;</font></div>
<div style="color:#444444"><font class="Apple-style-span" face="'trebuchet ms'"><font class="Apple-style-span" color="#333333"><a href="http://www.de-tour.org/exhibitions/2009/05/post-12.html" id="fcsg" title="Uptown Arts Stroll, NoMAA, New York, U.S.">Uptown Arts Stroll, NoMAA, New York, U.S.</a></font></font></div>
<div style="color:#444444"><font class="Apple-style-span" color="#000000"><a href="http://www.de-tour.org/exhibitions/2009/06/center-for-contemporary-public.html" id="hjwz" style="color:#551a8b" title="5th Attitude,&nbsp;Center for Contemporary Public Art,&nbsp;Bitola, Macedonia">5th Attitude, Center for Contemporary Public Art, Bitola, Macedonia</a>&nbsp;</font><br>
</div>
<div style="color:#444444"><a href="http://www.de-tour.org/exhibitions/2009/06/everything-then-passes-between.html" id="pxjj" title="Everything, then, Passes Between Us, Kölnischer Kunstverein, Koln, Germany">Everything, then, Passes Between Us, Kölnischer Kunstverein, Koln, Germany</a></div>
<div style="color:#444444"><a href="http://www.de-tour.org/exhibitions/2009/07/albuquerque-museum.html" id="tnmw" title="Experimental Geography, Albuquerque Museum, Albuquerque, U.S.">Experimental Geography, Albuquerque Museum, Albuquerque, U.S.</a>&nbsp;</div>
<a href="http://www.de-tour.org/exhibitions/2009/07/latin-collector.html" id="shk3" title="Then, End,&nbsp;Frederico Sève Gallery/LatinCollector, New York, U.S">Then, End, Frederico Sève Gallery/LatinCollector, New York, U.S</a>&nbsp;</div>
<div><a href="http://www.de-tour.org/exhibitions/2009/09/dorsky-gallery.html" id="y.xo" title="City Beats, Dorsky Gallery, New York, U.S.">City Beats, Dorsky Gallery, New York, U.S.</a></div>
<a href="http://www.de-tour.org/exhibitions/2009/09/sainsbury-centre-for-visual-ar.html" id="iclr" title="Subversive Spaces: Surrealism and Contemporary Art,&nbsp;Surrealism and Contemporary Art, Sainsbury Centre for Visual Arts, Norwich, UK">Subversive Spaces: Surrealism and Contemporary Art, Surrealism and Contemporary Art, Sainsbury Centre for Visual Arts, Norwich, UK</a>
<div><font class="Apple-style-span" color="#333333"><a href="http://www.de-tour.org/exhibitions/2009/09/miller-gallery.html" id="hqtj" title="Experimental Geography, Miller Gallery, Pittsburgh, U.S.">Experimental Geography, Miller Gallery, Pittsburgh, U.S.</a></font><br>
</div>
<a href="http://www.de-tour.org/exhibitions/2009/10/apexart.html" id="k-ga" title="Avant-Guide to NYC: Discovering Absence, Apexart, New York, U.S.">Avant-Guide to NYC: Discovering Absence, Apexart, New York, U.S.</a></div>
<div><a href="http://www.de-tour.org/exhibitions/2009/10/apexart.html" id="zjuz" title="Avant-Guide to NYC: Discovering Absence, Apexart, New York, U.S."></a><a href="http://www.de-tour.org/exhibitions/2009/10/beirut-arts-center.html" id="fh1k" title="Around America IV: Marking Time, Making Space,&nbsp;Beirut Art Center, Lebanon">Around America IV: Marking Time, Making Space, Beirut Art Center, Lebanon</a><br>
<br>
<div style="color:#444444"><font class="Apple-style-span" id="ne:s" size="2"><font class="Apple-style-span" face="trebuchet ms">2008<br>
</font></font><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2008/11/banco-de-la-republica.html" style="text-decoration:none">20 Desarreglos, Museo de Arte del Banco de la República, Bogota, Colombia</a><br>
<a href="http://www.de-tour.org/exhibitions/2008/10/between-the-images.html" style="text-decoration:none">Between the Images, Rumänska kulturinstitutet, Stockholm, Sweden</a><br>
<a href="http://www.de-tour.org/exhibitions/2008/10/flutgraben-ev.html" style="text-decoration:none">You are Living in a Space like mine, flutgraben e.v., Berlin, Germany</a><br>
<a href="http://www.de-tour.org/exhibitions/2008/09/experimental-ge.html" style="text-decoration:none">Experimental Geography, The Galleries at Peeler, Greencastle, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2008/01/menil-collection.html" style="text-decoration:none">Video Now: Artists Working in the Spirit of Bruce Nauman, The Menil Collection, Houston, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2008/01/multiple-choice.html" style="text-decoration:none">Multiple Choices, Oslo Kunstforening, Oslo, Norway</a><br>
 Evolution de l'Art, Unfair Fair, Loto Arte, Rome, Italy<br>
 9th International Biennial of Miniature Art, the Cultural Center, Gornji Milanovac, Serbia<br>
<a href="http://www.de-tour.org/exhibitions/2008/07/-city-beats-an.html" style="text-decoration:none">City Beats: An exploration of the social, cultural and physical dimensions of the city, Zendai Moma, Shanghai, China</a></font><br id="zx.8" style="font-family:Trebuchet MS">
<br id="szrf" style="font-family:Trebuchet MS">
<font class="Apple-style-span" id="n8t8" size="2"> <font class="Apple-style-span" face="trebuchet ms"> 2007</font><br id="iyvw" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2007/08/iaspis.html" style="text-decoration:none">Open House with Open Studios, Iaspis, Stockholm, Sweden</a><br>
<a href="http://www.de-tour.org/exhibitions/2007/09/the-fm-ferry-ex.html" style="text-decoration:none">The Ferry Experiment, Staten Island Ferry, New York, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2007/10/swing-space-ope.html" style="text-decoration:none">Open House, Swing Space, New York, U.S.</a></font><br id="wqe4" style="font-family:Trebuchet MS">
<br id="pg3x" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 2006</font><br id="lpc-" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Adolescent boys and Living rooms, Aurora Microcinema, Houston, U.S.</font><br id="ct4-" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2006/05/de-sign-1.html" style="text-decoration:none">De Sign, University of Essex Gallery, Colchester, England</a><br>
<a href="http://www.de-tour.org/exhibitions/2006/06/lustforlife.html" style="text-decoration:none">Lust for Life, the Breeder, Athens, Greece</a><br>
<a href="http://www.de-tour.org/exhibitions/2006/03/mind-the-gap.html" style="text-decoration:none">Mind the Gap, Smack Mellon, New York, U.S.</a></font><br id="nl14" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> The Peninsula, Singapore History Museum, Singapore</font><br id="w36:" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> When Artists Say "We," Artists Space, New York, U.S.</font><br id="g62r" style="font-family:Trebuchet MS">
<br id="yycx" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 2005</font><br id="s8.o" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/exhibitions/2005/09/alytus-biennial.html" style="text-decoration:none">Alytus Biennial, Alytus, Lithuania</a><br>
 Everything I'd Ever Discovered, Cirrus Gallery, Los Angeles, U.S.<br>
 Everything I'd Ever Discovered, Vox Populi, Philadelphia, U.S.<br>
 Fifth International, Center for Contemporary Public Arts, Bitola, Republic of Macedonia<br>
<a href="http://www.de-tour.org/exhibitions/2005/01/20-disarrangements-panorama-on.html" style="text-decoration:none">Panorama: Desarranjos, Marco, Vigo, Spain</a><br>
<a href="http://www.de-tour.org/exhibitions/2005/01/projeteis-funarte-de-arte-cont.html" style="text-decoration:none">Projetéis, Funarte, Rio de Janeiro, Brazil</a></font><br id="g.q8" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> <a href="http://www.de-tour.org/exhibitions/2005/06/projectiles-de-lart-contempora.html" id="y710" title="Projectiles de L'Art Contemporain, L'Espace Brésil, Paris, France">Projectiles de L'Art Contemporain, L'Espace Brésil, Paris, France</a> </font><br id="pqrz" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Reclaiming Space, Space Galley, Portland, Maine, U.S.</font><br id="koig" style="font-family:Trebuchet MS">
<br id="dz86" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 2004</font><br id="tdtj" style="font-family:Trebuchet MS">
</font><font class="Apple-style-span" id="x42l" size="2"><font class="Apple-style-span" face="'trebuchet ms'">Art in the Office, GCG, New York, U.S.<br>
 Let's get Tested, Internationale Kurzfilmtage, Oberhausen, Germany<br>
 Global Priority, San Francisco Arts Commision Gallery, San Francisco, U.S.<br>
<a href="http://www.de-tour.org/exhibitions/2004/09/-1100-exhibition-at-dckt.html" id="anxo" title="1:100, Dckt Contemporary, New York, U.S.">1:100, Dckt Contemporary, New York, U.S.</a><br>
 Panorama: Desarranjos, MamAM, Recife, Brazil<br>
<a href="http://www.de-tour.org/exhibitions/2004/09/-playpen-at-the-drawing.html" style="text-decoration:none">Playpen, Drawing Center, New York, U.S.</a><br>
<a href="http://www.de-tour.org/exhibitions/2004/10/slowness-at-govettbrewster-new.html" style="text-decoration:none">Slowness, Govett-Brewster, New Plymouth, New Zealand</a><br>
<a href="http://www.de-tour.org/exhibitions/2004/05/-the-interventionists-art-in.html" style="text-decoration:none">The Interventionists, MASS MoCA, North Adams, U.S.</a><br>
 The Spectacle of Society, Chicago Filmakers, Chicago, U.S.<br>
<a href="http://www.de-tour.org/exhibitions/2004/10/-unstaged-at-arti-et.html" style="text-decoration:none">Un-staged, Arti et Amicitiae, Amsterdam, Holland</a></font><br id="sjp2" style="font-family:Trebuchet MS">
<br id="m6aa" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 2003</font><br id="opcx" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Adolescent boys and Living rooms, Outfest: Platinum, Ed Gould Plaza, Los Angeles, U.S.</font><br id="vmnd" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Ladies and boys and touching, Video Mundi, The Chicago Cultural Center, Chicago, U.S.</font><br id="o:d6" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Coming Out: introducing United Net-works, Kulturhuset, Galleri K1, Stockholm, Sweden</font><br id="ws7y" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Field of Actions, The Bass Museum of Art, Miami, U.S.</font><br id="v.d8" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> FMZ, Galeria Arsenal, Bialystok, Poland</font><br id="cbo6" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Global Priority, Amherst University Gallery, Amherst, U.S.</font><br id="hik0" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Go: Liquidacion Total, Madrid, Spain</font><br id="ils1" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Ladies and boys and touching, Artists' Television Access, San Francisco, U.S.</font><br id="h:5i" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Ladies and boys and touching, Video Mundi, Heaven Gallery, Chicago, U.S.</font><br id="f.h2" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> L-Factor, Exit Art, New York, U.S.</font><br id="e5c:" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Panorama: Desarranjos, Museu de Arte Moderna, São Paulo, Brazil</font><br id="fzpr" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Panorama: Desarranjos, Paço Imperial, Rio de Janeiro, Brazil</font><br id="iiqp" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Raw, Smack Mellon, New York, U.S.</font><br id="q7.z" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Record, Boyle Heights space, Los Angeles, U.S.</font><br id="q5ru" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Slowness, Dorsky Gallery, New York, U.S.</font><br id="pb4z" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Stream on Location, Location One, New York, U.S.</font><br id="xnta" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 24/7, Contemporary Art Centre, Vilnius, Lithuania</font><br id="hlaq" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Walking in the City: Spatial Practices in Art, from the Mid-1960s to the Present, Apexart, New York, U.S.</font><br id="s:xe" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Walking in the City: Spatial Practices in Art, from the Mid-1960s to the Present, Fredericianum, Kassel, Germany</font><br id="q6ep" style="font-family:Trebuchet MS">
<br id="zefv" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 2002</font><br id="l_pu" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Contemplative Spaces in Urban Landscapes, Overgaden, Copenhagen, Denmark</font><br id="ijrr" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Prime Time: Déclassement, B-Books Festival, Berlin, Germany</font><br id="z8b4" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Second Sight, Hunter Art Gallery, New York, U.S.</font><br id="nkc7" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Space in Between Things, Stefan Stux Gallery, New York, U.S.</font><br id="vg.8" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> UKSellOut, Norwegian Union for Young Artists, Oslo, Norway</font><br id="wfs4" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Urban Tales: Beneath the Surface of the Post-Industrial City, Väinö Linna's Square, Tampere, Finland</font><br id="xtl6" style="font-family:Trebuchet MS">
<br id="rwoo" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 2001</font><br id="qcxm" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Between, New Art Center, Boston, U.S.</font><br id="k:ym" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Hybrid Dwellings, Galeria Arsenal, Bialystok, Poland</font><br id="kxbd" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Unheard of, Cuchifritos, New York, U.S.<br>
</font></font> <font class="Apple-style-span" id="vw9t" size="2"><font class="Apple-style-span" face="trebuchet ms"> Temporary Occupations, Brewster Project, New York, U.S. 2001</font></font><br id="iffn" style="font-family:Trebuchet MS">
<br id="hcx_" style="font-family:Trebuchet MS">
<font class="Apple-style-span" id="l6ww" size="2"> <font class="Apple-style-span" face="trebuchet ms"> 2000</font><br id="y0:e" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Amateur, Goteborg Konstmuseum, Gothenburg, Sweden</font><br id="tn_0" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Models of Resistence, Overgaden, Copenhagen, Denmark</font><br id="vwii" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Open Studios, ISP, New York, U.S.</font><br id="p7dp" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Video Projects, Bona Fide Gallery, Chicago, U.S.</font><br id="cvfo" style="font-family:Trebuchet MS">
<br id="p1g." style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 1999</font><br id="unf:" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Fairy-tale, Center for Metamedia/Hermit Foundation, Plasy, Czech Republic</font><br id="lc:5" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> National Prize Show, Cambridge Art Association, Cambridge, U.S.</font><br id="a7ky" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> New York, New York, HarperCollins Exhibition Space, New York, U.S.</font><br id="uy4_" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Parking, Highbridge Park, New York, U.S.</font><br id="p:to" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Small Works, Washington Square East Galleries, New York, U.S.</font><br id="j:-3" style="font-family:Trebuchet MS">
<br id="dmpk" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 1998</font><br id="z.hp" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Between, The Jacksonville Museum of Contemporary Art, Jacksonville, U.S.</font><br id="sp62" style="font-family:Trebuchet MS">
<br id="liwo" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> 1997</font><br id="jdxq" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Artists Books, Hunter College Art Gallery, New York, U.S.</font><br id="t:-e" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> New York Area MFA Exhibition, College Art Association, New York, U.S.</font><br id="ie_0" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Scene/Unseen, Eastern New Mexico University, Portales, U.S.</font><br id="wqb-" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Specific Sites, Hunter College Art Gallery, New York, U.S.</font><br id="nohf4">
<br id="h8yy" style="font-family:Trebuchet MS">
<a id="Awards_and_Fellowships" name="Awards_and_Fellowships"></a><font class="Apple-style-span" face="trebuchet ms"> HONORS<br>
<br>
</font></font><font class="Apple-style-span" id="i9ws" size="2"><font class="Apple-style-span" face="trebuchet ms"><b><i>Awards and Fellowships<br>
</i></b></font></font> <font class="Apple-style-span" size="2"><font class="Apple-style-span" face="trebuchet ms">Advisory Board Member, Artist Advisory Committee, Performative and Cross-disciplinary work, New York Foundation for the Arts, New York, U.S., 2004-2008<br>
</font></font><font class="Apple-style-span" size="2"><font class="Apple-style-span" face="trebuchet ms">Artist and Audiences grant, New York Foundation for the Arts, New York, U.S., 2004</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Artist's Fellowship, New York Foundation for the Arts, New York, U.S., 2003</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">DaNY Grant: phase I, Danish Arts Council, Copenhagen/New York, Denmark/U.S., 2006</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">DaNY Grant: phase II, Danish Arts Council, Copenhagen/New York, Denmark/U.S., 2007</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Grant for Arts in Public Space, Lower Manhattan Cultural Council, New York, U.S., 2008</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Grant for Arts in Public Space, Lower Manhattan Cultural Council, New York, U.S., 2006<br>
</font></font><font class="Apple-style-span" size="2">Individual Artist Grant, Northern Manhattan Arts Alliance</font><font class="Apple-style-span" size="2"><font class="Apple-style-span" face="trebuchet ms">l, New York, U.S., 2009</font></font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" size="2"><font class="Apple-style-span" face="trebuchet ms">Manhattan Community Arts Fund Grant, Lower Manhattan Cultural Council, New York, U.S., 1999</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Professional Development fellowship, Creative Capital and Aljira Contemporary Art Center, Newark, U.S., 2004</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Professional Development Fellowship, Honorary Mention, College Art Association, U.S., 1997</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Prosjektstotte grant, Kulturradet, Oslo, Norway, 2004</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Public Project commission, Lower Manhattan Cultural Council/World Financial Center, New York, U.S., 2002</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Small Works Juror Award, Ronald Feldman/Ronald Feldman Fine Arts, New York, U.S., 1999<br>
<br>
</font></font><font class="Apple-style-span" id="j_9p" size="2"><a id="Residences" name="Residences"></a><font class="Apple-style-span" face="trebuchet ms"><b><i>Residences</i></b></font></font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" size="2"> <font class="Apple-style-span" face="trebuchet ms">Center for Metamedia, Plasy, Czech Republic, 1999</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Iaspis, International Studio Program, Stockholm, Sweden, 2007</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Lower Manhattan Cultural Council/World Financial Center, New York, U.S., 2002</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Office for Contemporary Art, Oslo, Norway, 2004</font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms">Office for Contemporary Art, Oslo, Norway, 2005</font></font><br style="font-family:Trebuchet MS">
<font class="Apple-style-span" size="2"> <font class="Apple-style-span" face="trebuchet ms">Office for Contemporary Art,</font></font><font class="Apple-style-span" size="2"><font class="Apple-style-span" face="trebuchet ms"> Travel Support, </font></font><font class="Apple-style-span" size="2"><font class="Apple-style-span" face="trebuchet ms"> Oslo, Norway, 2008</font></font><br id="nohf5">
<br>
<font class="Apple-style-span" id="d8s_" size="2"> <font class="Apple-style-span" face="trebuchet ms">WORKSHOPS<br>
</font></font><br>
<font class="Apple-style-span" size="2"><b><i><a id="Panels_and_Lectures" name="Panels_and_Lectures"></a>Panels and Lectures</i></b></font></div>
<div style="color:#444444">
<div style="color:#444444"><i><span class="Apple-style-span" style="font-style:normal"><font class="Apple-style-span" color="#000000"><font class="Apple-style-span" size="2">Andrea Kroksnes, Miho Shimizu, Oyvind Renberg and Alex Villar. Dialogical Encounters #1, UKS and Office for Contemporary Art, Oslo, Norway, 2004</font><font class="Apple-style-span" size="2"><br>
</font><font class="Apple-style-span" size="2">Alex Villar, neuroTransmitter and others, Drawing Center, New York, U.S., 2004<br>
Alex Villar. About Rudolf Baranik, Jersey City Museum, U.S., 2003<br>
</font><font class="Apple-style-span" size="2">Alex Villar. de-tour, Iaspis, International Studio Program, Stockholm, Sweden, 2007<br>
</font><font class="Apple-style-span" size="2">Alex Villar. Shortcuts, Galeria Arsenal, Bialystok, Poland, 2003</font></font></span></i></div>
<i><span class="Apple-style-span" style="font-style:normal"><font class="Apple-style-span" color="#000000"><a href="http://www.de-tour.org/workshops/2009/09/dorsky-gallery.html" id="e71y" title="Berit Fischer, Rainer Ganahl, Ben Judd, Stephan Pascher and Alex Villar. City Beats: A Different Approach for the Urban, Dorsky Gallery, New York, U.S., 2009"><font class="Apple-style-span" size="2">Berit Fischer, Rainer Ganahl, Ben Judd, Stephan Pascher and Alex Villar. City Beats: A Different Approach for the Urban, Dorsky Gallery, New York, U.S., 2009</font></a>&nbsp;</font></span></i>
<div style="color:#444444"><i><span class="Apple-style-span" style="font-style:normal"><font class="Apple-style-span" color="#000000"><a href="http://www.de-tour.org/workshops/2009/05/iscp.html" id="drfu" title="Hakan Topal and Alex Villar, Fortified Zones,&nbsp;International Studio &amp; Curatorial Program,"><font class="Apple-style-span" size="2">Hakan Topal and Alex Villar, Fortified Zones, International Studio &amp; Curatorial Program,&nbsp;</font></a><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/workshops/2009/05/iscp.html" id="jwn:" title="2009"><font class="Apple-style-span" size="2">2009</font></a>&nbsp;</font></font></span></i></div>
<div style="color:#444444">
<div><i><span class="Apple-style-span" style="font-style:normal"><font class="Apple-style-span" color="#000000"><a href="http://www.de-tour.org/workshops/2009/04/art-in-general.html" id="npb:" title="John Hawke, Alex Villar, Nina Horisaki-Christens and Olympia Kazi. Actions for Urban Spaces, Art in General, U.S., 2009"><font class="Apple-style-span" size="2">John Hawke, Alex Villar, Nina Horisaki-Christens and Olympia Kazi. Actions for Urban Spaces, Art in General, U.S., 2009</font></a></font></span></i></div>
</div>
</div>
<div style="color:#444444"><font class="Apple-style-span" size="2">Alex Villar and others. Art Residences, Hunter College, New York, U.S., 2001<br>
 Alex Villar and others. Collective Memory Symposium, Whitney ISP, New York, U.S., 2000<br>
 Alex Villar and others. Fairy-tale Symposium, Center for Metamedia, Plasy, Czech Republic, 1999<br>
 Alex Villar and others. New Views: World Financial Center Artist Residency and Exhibition, Panel, Cooper Union, New York, U.S., 2002<br>
</font><font class="Apple-style-span" size="2">Alex Villar et al. Multiple Records, Academy of Fine Arts/BildMuseet, Umea, Sweden, 2005<br>
 Alex Villar et al. Nyfa Stravaganza, Hunter College, New York, U.S., 2004<br>
 Alex Villar et al. The Representation of Power, the Power of Representation, Nifca, Helsinki, Finland, 2003<br>
</font><font class="Apple-style-span" size="2">Alex Villar. Global Priority, exhibition panel, Amherst University, U.S., 2003</font></div>
<div style="color:#444444"><font class="Apple-style-span" size="2">Wafaa Bilal, Richard Fung, Holly Willis, Erica Cho, EMR, Felix Endara, Frederic Moffett, Camilo Ontiveros, Irina Contreras, Suzanne Oshinsky, Ashley Hunt, Frédéric Moffet and Amitis Motevalli, Irina Contreras, Eric Stanley, Chris Vargas, Jessica Lawless, Micol Hebron, Ismail Farouk, Grant Kester, Gina Lamb/REACH LA, Amitis Motevalli, Julia Meltzer and David Thorne, Jennifer Doyle, Maria A. Diaz and Alex Villar. Resolution 3: Video Praxis in Global Spaces, Pitzer College and Lace-Los Angeles Contemporary Exhibitions, Los Angeles, U.S., 2008</font></div>
<div style="color:#444444"><font class="Apple-style-span" id="rk88" size="2"><font class="Apple-style-span" face="trebuchet ms"><i><span class="Apple-style-span" style="font-style:normal">Maryam Jafri, Simon Sheikh and Alex Villar. Tropes and Thresholds, Signal, Malmo, Sweden, 2004</span></i></font></font></div>
<div style="color:#444444"><font class="Apple-style-span" size="2">Rosalyn Deutsche, Gregory Sholette, Emily Forman and Alex Villar. Tactics And Strategies For Interventionists, MASS MoCA, North Adams, U.S., 2004</font><br>
<font class="Apple-style-span" size="2"> Sabeth Buchmmann. Simon Sheikh, Sally Gutierrez and Alex Villar, Not a Place, PRO-QM Bookstore, Berlin, Germany, 2001<br>
 Simon Sheikh and Alex Villar, Action Diagrams, Iaspis, Stockholm, Sweden, 2008<br>
 Simon Sheikh, Katya Sander, Knut Asdam and Alex Villar. Urban Practices: Speaking about Desire and Dissent, Apexart, New York, U.S., 2003</font><br>
<br>
<font class="Apple-style-span" id="d:cj" size="2"><a id="Teaching" name="Teaching"></a><font class="Apple-style-span" face="trebuchet ms"><b><i>Teaching<br>
</i></b></font></font><font class="Apple-style-span" size="2"> Alex Villar and others. Photography Critique, Art Institute of Boston, U.S., 1999<br>
</font><font class="Apple-style-span" size="2">Alex Villar. Art and New York City: Wandering through the Public Sphere, </font><font class="Apple-style-span" size="2">Classroom Visit</font><font class="Apple-style-span" size="2">, CUNY Staten Island, New York, U.S., 2005<br>
 Alex Villar. </font><font class="Apple-style-span" size="2">Classroom Visit</font><font class="Apple-style-span" size="2">, University of Massachusetts, Amherst, U.S., 2002<br>
 Alex Villar. City Encounters: New York, students visit from Umea Academy of Fine Arts, New York, U.S., 2005<br>
 Alex Villar. Critical Dialogues, Academy of Fine Arts, Umea, Sweden, 2004</font><br>
<font class="Apple-style-span" size="2">Alex Villar. International Center of Photography, New York, U.S., 2004<br>
 Alex Villar. Practical Seminar Day, Hunter College, New York, U.S., 2002<br>
 Alex Villar. Sculpture, Cooper Union, New York, U.S., 2006<br>
</font><font class="Apple-style-span" size="2">Alex Villar. Tutorial Visits, Art Academy, Oslo, Norway, 2007<br>
 Katya Sander and Alex Villar, Daily Alterations: A Workshop on the Performative Possibilities of Everyday Life, The Royal Academy for Fine Arts, Copenhagen, Denmark, 2008<br>
</font><br>
<font class="Apple-style-span" id="lpo9" size="2"><a id="Presentations" name="Presentations"></a><font class="Apple-style-span" face="trebuchet ms"><b><i>Presentations by Others</i></b></font></font><br>
<font class="Apple-style-span" size="2">Astria </font><font class="Apple-style-span" size="2">Suparak</font><font class="Apple-style-span" size="2">. Adolescent boys, and Living rooms, Moving Landscapes, Capturing Time, Yale University School of Architecture, New Haven, Connecticut, U.S. 2003<br>
</font><font class="Apple-style-span" size="2">Astria </font><font class="Apple-style-span" size="2">Suparak</font><font class="Apple-style-span" size="2">. </font><font class="Apple-style-span" size="2">Adolescent boys, and Living rooms, Video Culture, New York, U.S. 2003<br>
</font><font class="Apple-style-span" size="2">Astria </font><font class="Apple-style-span" size="2">Suparak</font><font class="Apple-style-span" size="2">. </font><font class="Apple-style-span" size="2">Let's Get Tested, Illinois State University, Normal, U.S. 2004<br>
</font><font class="Apple-style-span" size="2">Astria </font><font class="Apple-style-span" size="2">Suparak</font><font class="Apple-style-span" size="2">. </font><font class="Apple-style-span" size="2">Let's Get Tested, Swarthmore College, Swarthmore, U.S. 2004<br>
</font><font class="Apple-style-span" size="2">Astria </font><font class="Apple-style-span" size="2">Suparak</font><font class="Apple-style-span" size="2">. </font><font class="Apple-style-span" size="2">Let's Get Tested, The College of Santa Fe, Santa Fé, U.S. 2004</font></div>
<div style="color:#444444">
<div>Kanarinka, Workshop II, Comparative Media Studies program, MIT</div>
<div>Kanarinka, Performance Research Project, Digital Media Dept, RISD</div>
<font class="Apple-style-span" size="2"> Lori Waxman, </font><font class="Apple-style-span" size="2">Spaces of Art: Impressionism to Relational Aesthetics, </font><font class="Apple-style-span" size="2">School of the Art Institute of Chicago, U.S., 2008<br>
</font><font class="Apple-style-span" size="2"> Oyvind </font><font class="Apple-style-span" size="2">Renberg</font><font class="Apple-style-span" size="2">. Upward Mobility, Einar Granum Kunstskole, Oslo, Norway, 2002</font><br>
<font class="Apple-style-span" size="2">Susan </font><font class="Apple-style-span" size="2">Kelly. </font><font class="Apple-style-span" size="2">Citiscape: The Body and the City, Tampere Polytechnic School of Art and Media, Finland,2002<br>
 Tanya </font><font class="Apple-style-span" size="2">Leighton</font><font class="Apple-style-span" size="2">. Lifeclass: In and Out of Control, Manchester Metropolitam University, 2002</font><br>
<br id="s1tu" style="font-family:Trebuchet MS">
<font class="Apple-style-span" id="xpv_" size="2"> <a id="BIBLIOGRAPHY_Articles_and_Reviews" name="BIBLIOGRAPHY_Articles_and_Reviews"></a><font class="Apple-style-span" face="trebuchet ms">BIBLIOGRAPHY<br>
<br>
<b><i>Articles and Reviews</i></b></font><br id="uppu" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Allan, Ken and Steven Sims. Bodies and Banality: The Art of Alex Villar and Karolyn Hatton, in Portraying Authority (Chicago: Chicago Art Journal, Spring, volume 8, no.1, 1998) pp.62-71</font><br id="s4mc" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Bittencourt, Elaine. Um Panorama as Avessas (São Paulo: Gazeta Mercantil, 2003)</font><br id="b9x9" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Camper, Fred. Ladies and Boys and Touching (Chicago: The Chicago Reader, 2003)</font><br id="q2l_" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Carvalho, Denise. Desarranged-Panorama 2003 of Brazilian Art (Atlanta: Art Papers, Jan/Feb, 2004) p.60</font><br>
</font><font class="Apple-style-span" id="wpll" size="2"><font class="Apple-style-span" face="trebuchet ms">Ammirati, Domenick. Art in the Office (New York: Artforum online, 2004)</font></font><br id="brpi" style="font-family:Trebuchet MS">
<font class="Apple-style-span" id="lxz5" size="2"> <font class="Apple-style-span" face="trebuchet ms"> Camnitzer, Luis. Los Latinos (Miami: Art Nexus, Apr, Issue 52, 2004)</font><br id="b9:b" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Carvalho, Denise. Spaciously Incorrect: Questioning the Rhetoric of the Banal (New York: Urban Desires Magazine, issue 3.3, May 1997)</font><br id="cduq" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Chasin, Noah. Raw: Smack Mellon Studios (Time Out: New York, issue 391, Mar 27, 2003) p.54</font><br id="cnas" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Chasin, Noah. Walking in the City (New York: Time Out, Jan 23-30, Issue 382, 2003) p.48</font><br id="r8dz" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> CK, Auch die Zukunft hat eine Zukunft (Bremen: Taz Bremen, Jun 19, 2001) p.23</font><br id="is20" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Cotter, Holland. Hometown of Utopia and Dissent (New York: New York Times, Jul 23, 2004)</font><br id="d2ls" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Cotter, Holland. Rain or Shine, Residing Outdoors (New York: The New York Times, Aug 9, 2002) p.E29</font><br id="kex." style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Cotter, Holland. Second Sight (New York: The NY Times, Friday, Mar, 22, 2002) p.E36 </font><br id="ui11" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Darmon, Adrian. Art in a Shipping Container (New York: Artnet News, May 22, 2001)</font><br id="ilrf" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Demos, T.J. Interventionists (New York: Artforum, November, 2004)</font></font></div>
<div style="color:#444444">
<div style="color:#444444"><font class="Apple-style-span" size="2">Dignazio, Catherine. Art and Cartography, In Kitchin R, Thrift N (eds), International Encyclopedia of Human Geography, Volume 1 (Oxford: Elsevier, 2009) pp. 190-206.</font></div>
<font class="Apple-style-span" size="2"><font class="Apple-style-span" face="trebuchet ms"> Dubinskaitè, Renata. Kasdienyb? visada vyko vis? par? (Vilnus: Dailè, Feb, 2003)</font><br id="pmtj" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Flor, Harald. Kroppi Konflikt (Oslo: Dagbladet, Jan 30, 2005) p.45.</font><br id="j9uz" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/bibliography/2008/02/-dagbladet-multiple-choices.html" style="text-decoration:none">Flor, Harald. Fantasiflukt og fanget kropp (Oslo: Dagbladet, Jan 20, 2008) p.38-39.</a></font><br id="gzot" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Gorczyca, Lukasz. Hybrydy z Ameryki (Warsaw: Raster Art Magazin, Apr 2001)</font><br id="i7q6" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Greene, Rachel. We have liftoff (New York: Time Out, issue 1/00, May 18-25, 2000) p.73</font><br id="ad8e" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Gregorczuk, Agnieszka. Hybryda o tysiacu twarzach (Bialystok: Gazeta w Bialystoku, Apr 9, 2001)</font><br id="alai" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Hetscher, Iris. Kein Aliens in Gropelingen (Bremen: Weser-Kurier, Jun 17, 2001) p.11</font><br id="z_jv" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Hirszman, Maria. Irreverência and concisão marcam o Panorama da Arte Brasileira (O estado de São Paulo, Caderno 2, Dec 16, 2003) p.D1</font><br id="y5iq" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Hirszman, Maria. Panorama traz lado provocativo da arte (Estado de São Paulo, Aug 18, 2003)</font><br id="jmnx" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Ka. Mieszkania-hybrydy (Bialystok: Gazeta Wspotczesna, Apr 9, 2001)</font><br id="k9tx" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Kanarinka. Art-Machines, Body-Ovens and Map-Recipes: Entries for a Psychogeographic Dictionary (Delaware: Journal of the North American Cartographic Information Society, Winter 2006) pp.24-40</font><br id="vvcu" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Kazi, Olympia. Filling the Void (New York: The Architect's Newspaper, May 10, 2006) p.22</font><br id="xtpd" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Kawke, John. Raw: Smack Mellon (New York: The Brooklyn Rail, Apr-May 2003) p.19</font><br id="mra." style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Kern, Kristine. Tag Trapperne (Copenhagen: Politiken, Jun 22, 2001) p.8</font><br id="l48t" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Kimmerling, George. Public Access (New York: The Lowdown, Winter, 2002) p.5</font><br id="qgpf" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Koh, Laurie. Ladies and Boys and Touching (San Francisco: The San Francisco Bay Guardian, 2003)</font><br id="jh88" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Kramer, Mark. Amateur (Gothenburg: Nifcainfo, issue 1/00, May, 2000)</font><br id="ibc8" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Leeb, Susanne. Sally Gutierrez und Alex Villar (Berlin: Text Zur Kunst, NR43, 2001)</font><br id="pg32" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Levin, Kim. How Latin is it? From Carmen Miranda and Pele to J. Lo (New York: Village Voice online, Dec 19, 2003)</font><br id="bgib" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Lira, Ana. Viva a Desordem: Mostra Celebra a Arte Brasileira Através da Desarrumação (São Paulo: Rabisco, #39, 2004)</font><br id="m2b0" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Lopes, Fernanda. Panorama da Arte Brasileira (São Paulo: Obra Prima, 2003)<br>
</font></font><font class="Apple-style-span" id="clbp" size="2"><font class="Apple-style-span" face="trebuchet ms">McDonald, Jillian. Art in the Park, in Mess: The Stuff that Really Surrounds You (Toronto: Tart Magazine, issue 7, Aug 1999) p.31</font></font><br id="jvi_" style="font-family:Trebuchet MS">
<font class="Apple-style-span" id="bu8q" size="2"><font class="Apple-style-span" face="trebuchet ms"> Morgan, Robert. New Paradigms in Video Art (Seoul: Korean Art Monthly, 2003)</font><br id="wit6" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Novaes, Tereza. Curador subverte panorama do MAM (São Paulo: Guia/Folha de São Paulo, 2003)</font></font></div>
<a href="http://www.examiner.com/x-1972-Albuquerque-Travel-Examiner%7Ey2009m7d6-Experimental-Geography-at-the-Albuquerque-Museum-a-winning-exhibit-and-part-of-LandArt-New-Mexico" id="lk4j" title="Neala Schwartzberg, Experimental Geography at the Albuquerque Museum: a winning exhibit and part of Land/Art New Mexico (New York: Examiner.com, July 6, 2009)">Neala Schwartzberg, Experimental Geography at the Albuquerque Museum: a winning exhibit and part of Land/Art New Mexico (New York: Examiner.com, July 6, 2009)</a>
<div style="color:#444444">
<div><font class="Apple-style-span" size="2"><font class="Apple-style-span" face="arial,helvetica,verdana,sans-serif"><font class="Apple-style-span" color="#444444">OC. Vom Erleben des Raums (Lüneburg: Landeszeitung, October, 2001)</font></font></font></div>
<font class="Apple-style-span" size="2"> <font class="Apple-style-span" face="trebuchet ms"> Petrakis, John. Screen Gems: Avant Garde gets its due at Video Mundi (Chicago: The Chicago Tribune, 2003)</font><br id="sfo5" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Ptá?ek, Ji?í. A User's Guide to Capitalism (Lüneburg: Umelec International, 3/2004)</font><br id="apfr" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Røed, Kjetil. Dekonstruksjoner av byrommet (Oslo: Kunstkritikk, Feb 18 2005)</font><br id="p8lj" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Rosenberg, Karen. Opening Hotel Chelsea (New York: New York Magazine, Sep 20, 2003) p.91</font></font></div>
<div style="color:#444444"><font class="Apple-style-span" id="sdbs" size="2"><a href="http://www.nytimes.com/2009/02/27/arts/design/27gall.html?_r=2&amp;pagewanted=2&amp;sq=custom%20car%20commandos&amp;st=cse&amp;scp=1" id="x224" title="Rosenberg, Karen. Custom Car Commandos (New York: The NY Times, February 26, 2009)">Rosenberg, Karen. Custom Car Commandos (New York: The NY Times, February 26, 2009)</a>&nbsp; </font></div>
<div style="color:#444444"><font class="Apple-style-span" id="lii2" size="2"><font class="Apple-style-span" face="trebuchet ms">Ryan, Zoë. Street Smart: Talking on the Variable City (New York: Van Alen Report, Oct, 2004)</font><br id="tjre" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Schambelan, Elizabeth. New Views (New York: Artforum online, Critics Pics, 2002)</font><br id="v49q" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Sheikh, Simon. Counter-public works: re-mapping public space (Dublin: Printed Project, Sep, 2003) pp.37-42</font><br id="bus_" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Siepen, Nicolas. Der Blick in den Raum der Stadt (Berlin: Frankfurter Allgemeine Zeitung, Jun 20, 2001) p.BS4</font><br id="h6ly" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Schmerler, Sarah. Mind the Gap (New York: TimeOut, April 13, 2006) p. 80.</font></font></div>
<div style="color:#444444"><font class="Apple-style-span" id="si3p" size="2"><font class="Apple-style-span" face="trebuchet ms">Smith, Roberta. As the Chelsea Art World Expands, a Host of Visions Rush In (New York: New York Times, Friday, Jun 1, 2001) p.E2</font><br id="p80_" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Staff writer. Panorama de Arte Brasileira: Desarrumado (São Paulo: The Economist, Oct 2003)</font><br id="d2ae" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Steckler, Debra. New York, Idioma Brasil: A Brief Survey of Brazilian Artists in New York (New York: NY Arts Magazine, issue 13, Sep 1997) pp.7-9</font><br id="tcfb" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Szerszunowics, Jerzy. Arsenal hyrbryd wspolczesnych (Bialystok: Apr 9, 2001)</font></font></div>
<a href="http://www.examiner.com/x-1972-Albuquerque-Travel-Examiner%7Ey2009m7d6-Experimental-Geography-at-the-Albuquerque-Museum-a-winning-exhibit-and-part-of-LandArt-New-Mexico" id="aba." title="Schwartzberg, Neala.&nbsp;Experimental Geography at the Albuquerque Museum: a winning exhibit and part of Land/Art New Mexico&nbsp;(New York: Examiner, July 6).">Schwartzberg, Neala. Experimental Geography at the Albuquerque Museum: a winning exhibit and part of Land/Art New Mexico (New York: Examiner, July 6).</a>&nbsp; 
<div style="color:#444444">
<div><a href="http://www.gotryke.com/2009/02/16/custom-car-commandos/" id="des7" title="Warren, Tamara. Custom Car Commandos (New York: Gotryke, February 16, 2009)">Warren, Tamara. Custom Car Commandos (New York: Gotryke, February 16, 2009)</a></div>
<div>Thompson, Nato. Spectacular Tactics (New York: Tema Celeste, Sep-Oct 2004, issue 105) pp.48-53<br>
</div>
</div>
<div style="color:#444444"><font class="Apple-style-span" id="f6ff" size="2"> <font class="Apple-style-span" face="trebuchet ms"> Toko. The Danger Museum (Tokyo: Fogless, 2002)</font><br id="x538" style="font-family:Trebuchet MS">
</font><font class="Apple-style-span" id="jb5o" size="2"><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://gallerycrawl.typepad.com/gallery_crawl/2009/01/custom-car-commandos-and-martin-murphy-at-art-in-general.html" style="text-decoration:none">Vivona, Diane. Custom Car Commandos and Martin Murphy (New York: Gallery Crawl, Jan 26, 2009)</a></font></font></div>
<div style="color:#444444"><font class="Apple-style-span" id="gnr:" size="2">Vogel, Carol. Provenance Adds Value (New York: The NY Times, Friday, Nov 11, 2002) p.E33<br id="z383" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Wasilewski, Marek. Hybrid Dwellings (Vienna: Springerin, issue Feb 1, 2001) p. 66-67</font><br id="hibl" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Wasilewski, Marek. Art as Transporter (New York: PAJ: A Journal of Performance and Art, Vol 76, Jan 2004) pp. 100-102</font><br id="r298" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Weightman, Sharon. Multimedia Meditation: Exhibit United Uses Hi-tech to Explore Human Thought (Jacksonville: The Times Union, Wednesday, Mar 25, 1998) C1</font><br id="ge4r" style="font-family:Trebuchet MS">
<font class="Apple-style-span" face="trebuchet ms"> Zawadecka, Iwona. Kurier Kulturalny (Bialystok: Telewizja Polska 3, 2003)<br>
<br>
</font></font>
<div><a id="Books,_Catalogs_and_Brochures" name="Books,_Catalogs_and_Brochures"></a><font class="Apple-style-span" id="o3ua" size="2"><b><i><font class="Apple-style-span" face="trebuchet ms">Books, Catalogs </font></i></b></font><font class="Apple-style-span" id="xnfb" size="2"><b><i><font class="Apple-style-span" face="trebuchet ms">and Brochures</font></i></b></font><br id="iz0o" style="font-family:Trebuchet MS">
<font class="Apple-style-span" id="z:si" size="2"> <font class="Apple-style-span" face="trebuchet ms"> Banai, Nuit. Siting the Everyday, in New Views (New York: LMCC/WFC, 2003) pp.6-11<br>
 Brookhart Beyer, Melissa and Jill Dawsey. Walking in the City: Spatial Practices in Art, from the Mid-1960s to the Present (Kassel: Fridericianum, 2003)<br>
 Brookhart Beyer, Melissa and Jill Dawsey. Walking in the City: Spatial Practices in Art, from the Mid-1960s to the Present (New York: Apexart, 2003)<br>
 Carter, Rob; Sian Foulkes, Casey Ruble, Allyson Spellacy and Lynn Sullivan. Second Sight (New York: Hunter, 2002)<br>
 Carvalho, Denise. Fairy-tale (Plasy: Center for Metamedia, 2000)<br>
 Carvalho, Denise. Hybrid Dwellings (Bialystok: Galeria Arsenal, 2001)<br>
</font></font><font class="Apple-style-span" id="v87m" size="2"><font class="Apple-style-span" face="trebuchet ms"> Carvalho, Denise. </font></font><font class="Apple-style-span" id="geti" size="2">Preemptive Resistances: Critical Pointers in Latin Amercan Art (Connecticut: Westport Arts Center, 2009)</font><br>
<font class="Apple-style-span" id="y.be" size="2"><font class="Apple-style-span" face="trebuchet ms"> Chaves, Xico et al. Projéteis de Arte Contemporânea Funarte (Rio de Janeiro: Funarte, 2005)<br>
 Cornyn, Alison. b/t*: Between (Boston: The New Art Center, 2001)<br>
 Cornyn, Alison. b/t*: Between (Jacksonville: The Jacksonville Museum of Contemporary Art, 1999)<br>
 Diaz, Eva and Beth Stryker. Mind the gap (New York: Smack Melon, 2006)</font></font></div>
<div><font class="Apple-style-span" face="'trebuchet ms'"><font class="Apple-style-span" color="#333333"><a href="http://www.de-tour.org/bibliography/2009/09/subversive-spaces.html" id="g3kw" title="Dezeuze, Anna, Samantha Lackey, and David Lomas. Subversive Spaces: Surrealism and Contemporary Art (Manchester: University of Manchester, 2009)">Dezeuze, Anna, Samantha Lackey, and David Lomas. Subversive Spaces: Surrealism and Contemporary Art (Manchester: University of Manchester, 2009)</a>&nbsp;</font></font></div>
<div><font class="Apple-style-span" id="p_x2" size="2"><font class="Apple-style-span" face="trebuchet ms"><a href="http://www.de-tour.org/bibliography/2009/09/city-beats.html" id="pbmh" title="Fischer, Berit. City Beats (New York: Dorsky Gallery, 2009)">Fischer, Berit. City Beats (New York: Dorsky Gallery, 2009)</a>&nbsp;</font></font></div>
<div><font class="Apple-style-span" id="rhx9" size="2"><font class="Apple-style-span" face="trebuchet ms">Griese, Horst, Katya Sander and Alex Villar, Lichthaus plus Neue Kunst: Outerplace (Bremen: Lichthaus, 2002)<br>
 Griese, Horst. Lichthaus plus Neue Kunst: Projekte 2001-2004 (Bremen: Lichthaus, 2004)<br>
 Hazard, Leigh and Ashlee Gross. De-sign(Colchester: University of Essex, 2006)<br>
 Kokache, Moukhtar and Erin Shirreff. Site Matters (New York: LMCC, 2005)<br>
 Kroksnes, Andrea; Miho Shimizu, Oyvind Renberg and Alex Villar. Dialogical Encounters #1: de-tour at uks (Oslo: UKS/Office for Contemporary Art, 2005)<br>
 Kunsch, Graziela. Revista Urbania 3 (São Paulo: Editora Pressa, 2008)<br>
 Mosquera, Gerardo. Panorama: Desarranjos (São Paulo: MAM, 2004)<br>
 Samos, Adrienne. Panorama (São Paulo: MAM, Oct 2003)<br>
 Sander, Katya and Alex Villar. Temporary Occupations and Other Double Binds (Luneburg: Revolver, 2003)<br>
</font></font>Skurvida, Sandra. Image Drives in Custom Car Commandoes (New York: Art in General, January, 2009) <br>
<font class="Apple-style-span" id="zc-z" size="2"><font class="Apple-style-span" face="trebuchet ms"> Thompson, Nato and Greg Sholette, eds. The Interventionists: Users' Manual for the Creative Disruption of Everyday Life (North Adams: MIT, 2004)<br>
<font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/bibliography/2009/01/experimental-geography.html" style="text-decoration:none">Thompson, Nato. Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism (New York: Melville House, 2008)</a></font></font></font></div>
<div><font class="Apple-style-span" id="wmpp" size="2"><font class="Apple-style-span" face="trebuchet ms">Vicente, Mercedes. Slowness (New York: Dorsky Gallery, Nov 2003)<br>
 Vicente, Mercedes. Slowness (New Zealand: Govett-Brewster, 2004)<br>
</font></font>Vuckovikc, Zarko. 9 International Biennial of Miniature Art (Gornji Milanovac: The Cultural Centre/Ministry of Culture, Serbia, 2008)<br>
<br>
<a id="Interviews_and_Conversations" name="Interviews_and_Conversations"></a><font class="Apple-style-span" id="s5tz" size="2"> <i><b>Interviews and Conversations</b></i></font><font class="Apple-style-span" id="pdhd" size="2"><br>
<font class="Apple-style-span" face="trebuchet ms"> Barnett, Erin. Interview with Alex Villar (New York: New Museum, 2004)<br>
 Geyer, Andrea; Ashley Hunt, Maryam Jafri, Kara Lynch, Sharon Hayes, Ulrike Muller, Valerie Tevere, David Thorne and Alex Villar. Working: Conversations on Contemporary Art and Politics (New York: Artwurl, 2004-5)<br>
 Hunt, Ashley and Alex Villar. A Conversation about Ashley Hunt's work (New Orleans: Prospectus, October 2008)</font></font>
<div><font class="Apple-style-span" id="qunx" size="2"><font class="Apple-style-span" face="trebuchet ms"><a href="http://magazines.documenta.de/frontend/article.php?IdLanguage=9&amp;NrArticle=379" id="so-j" title="Mesquita, André. Resistência biopolítica: uma entrevista com Alex Villar (São Paulo: Rizoma at Documenta, 2007)">Mesquita, André. Resistência biopolítica: uma entrevista com Alex Villar (São Paulo: Rizoma at Documenta, 2007)</a>&nbsp;<br>
 Renberg, Oyvind and Alex Villar. A Conversation about Alex Villar's work (London: Online Printhouse, 2002)<br>
 Renberg, Oyvind and Alex Villar. Interview with Alex Villar (Oslo: Online Printhouse, Aug-Nov 2001)<br>
 Renberg, Oyvind; Arve Rod, Miho Shimizu and Alex Villar. A Conversation Around the Peanut Circuit, Danger Museum Diary #1 Stage #1 (Oslo: Online Printhouse, 2003)<br>
 Roth, Moira and Alex Villar. Minding the Gap (New York: Online Printhouse, 2003)<br>
 Sheikh, Simon and Alex Villar. A Conversation about Alex Villar's work (New York: Danger Museum/Apexart, 2003)<br>
</font></font><font class="Apple-style-span" size="2"> Stella d'Ailly and Aldy Milliken, <i>Interview with Alex Villar </i> (Stockholm: Iaspis, August 2007)&nbsp;<br>
<br>
</font><a id="Writings_by_the_Artist" name="Writings_by_the_Artist"></a> <font class="Apple-style-span" size="2"><i><b>Writings by the Artist</b></i></font><br>
<font class="Apple-style-span" id="h11n" size="2"><font class="Apple-style-span" face="trebuchet ms">9/12 in Radioactive (New York: White Box, 2002)<br>
 A Short Essay in De-sign (Colchester: University of Essex, 2006) pp. 8-10<br>
 Freirean Detours (New York: Artwurl, Homework, 2007)<br>
 Freirean Detours in Valdez: An Anthology of Revolutions:&nbsp; (New York: Valdez, 2002)<br>
 Other Ways and Temporary Occupations (Amherst: ReMarx, Vol. 14:3, Fall, 2002)<br>
 Self-portrait (New York: Tema Celeste, Nov-Dec, 2001) pp.72-73<br>
 Temporary Occupations, in ReMarx/Global Priority (Amherst: Routledge, 2003)<br>
 The Business Turn (New York: Constricted Breath, 2005)<br>
 The Fourth Pie (New York: Valdez/Familia Valdez, 2000) pp.198-201</font></font></div>
<div><font class="Apple-style-span" id="ups:" size="2"><font class="Apple-style-span" face="trebuchet ms">Blind Spots: Connecting Nodal Points (Dublin: Printed Project: Circulation, 2009) pp.70-76&nbsp;<br>
<br>
</font></font><a id="Web_Archives" name="Web_Archives"></a><font class="Apple-style-span" id="sovn" size="2"><font class="Apple-style-span" face="trebuchet ms"> <i><b>Web Presence</b></i></font></font><br>
<font class="Apple-style-span" id="l_w." size="2"><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.de-tour.org/" style="text-decoration:none">de-tour.org, Comprehensive Archive</a></font></font></div>
<div><font class="Apple-style-span" id="l_w." size="2"><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.nyfa.org/nyfa_artists_detail.asp?pid=4953" style="text-decoration:none">New York Foundation for the Arts, Archive Selection</a></font></font></div>
<div><font class="Apple-style-span" id="l3wq" size="2"><a href="http://www.nyfa.org/nyfa_artists_detail.asp?pid=4953" style="text-decoration:none"></a><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://www.iniva.org/library/archive/people/v/villar_alex/gallery" style="text-decoration:none">Institute of International Visual Arts, Archive Selection</a><br>
<a href="http://re-title.com/artists/Alex-Villar.asp" style="text-decoration:none">Re-title International Contemporary Art, Archive Selection</a></font></font></div>
<div><font class="Apple-style-span" id="l3wq" size="2"><font class="Apple-style-span" face="'trebuchet ms'"><a href="http://flavors.me/villar" id="ulc2" title="Flavors.me,&nbsp;online presence hub">Flavors.me, online presence hub</a></font></font></div>
<a href="http://www.facebook.com/pages/Alex-Villar/88709256869" id="v0_t" title="Facebook (artist page)">Facebook, Artist Page</a>
<div><font class="Apple-style-span" id="oy5c" size="2"><font class="Apple-style-span" face="trebuchet ms"><a href="http://twitter.com/villar" id="n8ai" title="Twitter (status updates)">Twitter, Status Updates</a></font></font></div>
<a href="http://vimeo.com/user500604/videos" id="v3s9" title="Vimeo (video selection)">Vimeo, Video Selection</a>
<div><a href="http://www.flickr.com/photos/de-tour/sets/" id="pww-" title="Flickr (project images)">Flickr, Project Images</a></div>
<a href="http://issuu.com/villar" id="vlck" title="Issuu (printed matter)">Issuu, Printed Materials</a></div>
<div><a href="http://www.goodreads.com/user/show/697484-alex" id="s.7k" title="GoodReads (reading)">GoodReads, Reading</a></div>
<br>
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<div>| <font class="Apple-style-span" size="1"><a href="#ALEX_VILLAR" id="t.qk" target="_self" title="Top of Page">Top of Page</a>&nbsp;</font></div>
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    </content>
</entry>

<entry>
    <title>STATEMENT</title>
    <link rel="alternate" type="text/html" href="http://www.de-tour.org/about/2008/12/statement.html" />
    <id>tag:www.de-tour.org,2008:/about//51.881</id>

    <published>2008-12-29T00:11:27Z</published>
    <updated>2009-05-16T21:46:16Z</updated>

    <summary>Drawing from interdisciplinary theoretical sources and employing video-based, performative actions, installation and photography, I have developed a practice that concentrates on matters of social space. My interventions are done primarily in public spaces. They consist in engaging situations where the...</summary>
    <author>
        <name>villar</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.de-tour.org/about/">
        <![CDATA[<span class="mainparagraph ">Drawing from interdisciplinary theoretical sources and employing video-based, performative actions, installation and photography, I have developed a practice that concentrates on matters of social space. My interventions are done primarily in public spaces. They consist in engaging situations where the codes that regulate everyday activity can be made explicit. The body is made to conform to the limitations of claustrophobic spaces, therefore accentuating arbitrary boundaries and possibly subverting them. A sense of absurdity permeates the work, counterpoising irrational behavior to the instrumental logic of the city's design.</span>
<br /><br />
<span class="secondparagraph ">Theoretical references range from extensive existing work on the problematic of space, especially the works of Foucault and de Certeau, which describe panopticon and heterotopic spaces as well as the potentialities for everyday re-writings of urban space. Aesthetic traditions foregrounding my work range from the sixties and seventies performative-based sculpture and installations by Helio Oiticica, Ligia Clark and Cildo Meirelles to the urban strategies of the Situationists and the anarchitecture of Gordon Matta-Clark. Like the in-between activities it seeks to investigate, my work lives between various fields: part nomadic architecture, part intangible sculpture and part performance without spectacle.</span><br />
<br /> <br />
<em>Related Texts
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    </content>
</entry>

<entry>
    <title>COLLABORATORS</title>
    <link rel="alternate" type="text/html" href="http://www.de-tour.org/about/2008/12/collaborators-1.html" />
    <id>tag:www.de-tour.org,2008:/about//51.1062</id>

    <published>2008-12-28T23:24:59Z</published>
    <updated>2009-04-18T19:13:51Z</updated>

    <summary>Collaborators in current and past projects...</summary>
    <author>
        <name>villar</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.de-tour.org/about/">
        <![CDATA[Collaborators in current and past projects
<br /><br />
<script type="text/javascript" src="http://feeds.delicious.com/v2/js/detour.org/collaborators?title=&count=100&sort=alpha"></script>]]>
        
    </content>
</entry>

<entry>
    <title>SITE MAP</title>
    <link rel="alternate" type="text/html" href="http://www.de-tour.org/about/2008/12/sitemap.html" />
    <id>tag:www.de-tour.org,2008:/about//51.877</id>

    <published>2008-12-28T22:12:36Z</published>
    <updated>2009-01-04T18:50:14Z</updated>

    <summary>About BIO RESUME STATEMENT VENUES SUPPORT COLLABORATORS SITE MAP Contact EMAIL SUBSCRIBE REQUEST Projects ON THE EDGE WASTE MANAGEMENT OVERTIME BLIND SPOTS DRIBBLING THE FIELD IRRATIONAL INTERVALS UPWARD MOBILITY TEMPORARY OCCUPATIONS OUTERPLACE OTHER WAYS BETWEEN PLACES ALTERNATIVE ACCESS OTHER SPACES...</summary>
    <author>
        <name>villar</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.de-tour.org/about/">
        <![CDATA[<p>About<br />
<a href="http://www.de-tour.org/about/2008/12/bio.html">BIO</a><br />
<a href="http://www.de-tour.org/about/2008/12/resume.html">RESUME</a><br />
<a href="http://www.de-tour.org/about/2008/12/statement.html">STATEMENT</a><br />
<a href="http://www.de-tour.org/about/2008/12/venues.html">VENUES</a><br />
<a href="http://www.de-tour.org/about/2008/12/support.html">SUPPORT</a><br />
<a href="http://www.de-tour.org/about/2008/12/collaborators.html">COLLABORATORS</a><br />
<a href="http://www.de-tour.org/about/2008/12/sitemap.html">SITE MAP</a></p>

<p><br />
Contact<br />
<a href="http://www.de-tour.org/contact/2008/12/general.html">EMAIL</a><br />
<a href="http://www.de-tour.org/contact/2008/12/email-list.html">SUBSCRIBE</a><br />
<a href="http://www.de-tour.org/contact/2008/12/requests.html">REQUEST</a></p>

<p><br />
Projects<br />
<a href="http://www.de-tour.org/projects/2007/08/on-the-edge-1.html">ON THE EDGE</a><br />
<a href="http://www.de-tour.org/projects/2006/02/waste-management.html">WASTE MANAGEMENT</a><br />
<a href="http://www.de-tour.org/projects/2004/12/overtime.html">OVERTIME</a><br />
<a href="http://www.de-tour.org/projects/2004/02/blind-spots.html">BLIND SPOTS</a><br />
<a href="http://www.de-tour.org/projects/2003/02/dribbling-the-field.html">DRIBBLING THE FIELD</a><br />
<a href="http://www.de-tour.org/projects/2002/12/irrational-intervals.html">IRRATIONAL INTERVALS</a><br />
<a href="http://www.de-tour.org/projects/2002/02/upward-mobility.html">UPWARD MOBILITY</a><br />
<a href="http://www.de-tour.org/projects/2001/12/temporary-occupations.html">TEMPORARY OCCUPATIONS</a><br />
<a href="http://www.de-tour.org/projects/2001/02/outerplace.html">OUTERPLACE</a><br />
<a href="http://www.de-tour.org/projects/2000/02/other-ways.html">OTHER WAYS</a><br />
<a href="http://www.de-tour.org/projects/1999/12/between-places.html">BETWEEN PLACES</a><br />
<a href="http://">ALTERNATIVE ACCESS</a><br />
<a href="http://www.de-tour.org/projects/1998/02/other-spaces-1.html">OTHER SPACES</a><br />
<a href="http://www.de-tour.org/projects/1997/01/test.html">DER JASAGER</a></p>

<p><br />
Exhibitions<br />
<a href="http://www.de-tour.org/exhibitions/">RECENT</a><br />
 </p>

<p>Workshops<br />
<a href="http://www.de-tour.org/workshops/">RECENT</a></p>

<p><br />
Bibliography<br />
<a href="http://www.de-tour.org/bibliography/">RECENT</a> <br />
<a href="http://www.de-tour.org/bibliography/articlesreviews/">ARTICLES/REVIEWS</a><br />
<a href="http://www.de-tour.org/bibliography/catalogues/">CATALOGUES</a><br />
<a href="http://www.de-tour.org/bibliography/writing/">WRITING</a></p>

<p><br />
Blog<br />
<a href="http://www.de-tour.org/blog/">RECENT</a></p>

<p><br />
Announcements<br />
<a href="http://www.de-tour.org/announcements/">RECENT</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>THEORY</title>
    <link rel="alternate" type="text/html" href="http://www.de-tour.org/about/2008/11/theoretical-references.html" />
    <id>tag:www.de-tour.org,2009:/about//51.1149</id>

    <published>2008-11-30T14:03:12Z</published>
    <updated>2009-04-23T19:32:52Z</updated>

    <summary> .gr_grid_container { /* customize grid container div here. eg: width: 500px; */ } .gr_grid_book_container { /* customize book cover container div here */ float: left; width: 39px; height: 60px; padding: 0px 0px; overflow: hidden; } Language, Performativity, Pedagogy, Political...</summary>
    <author>
        <name>villar</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://www.de-tour.org/about/">
        <![CDATA[<p><style type="text/css" media="screen"> .gr_grid_container { /* customize grid container div here. eg: width: 500px; */ } .gr_grid_book_container { /* customize book cover container div here */ float: left; width: 39px; height: 60px; padding: 0px 0px; overflow: hidden; } </style><div id="gr_grid_widget_1240431821"><!-- Show static html as a placeholder in case js is not enabled - javascript include will override this if things work -->     <h2><a href="http://www.goodreads.com/user/show/697484-alex?utm_medium=api&amp;utm_source=grid_widget" style="text-decoration: none;">Language, Performativity, Pedagogy, Political Realm, Situationism, Space, Subjectification</a></h2><br />
  <div class="gr_grid_container"><br />
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      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/85827.Infancy_and_History_On_the_Destruction_of_Experience" title="Infancy and History: On the Destruction of Experience (Radical Thinkers)"><img alt="Infancy and History: On the Destruction of Experience" border="0" src="http://photo.goodreads.com/books/1171062630s/85827.jpg" width="39" /></a></div><br />
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      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/218850.Theoretical_Writings_Alain_Badiou" title="Theoretical Writings: Alain Badiou (Continuum Impacts)"><img alt="Theoretical Writings: Alain Badiou" border="0" src="http://photo.goodreads.com/books/1172799027s/218850.jpg" width="39" /></a></div><br />
      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/218846.Metapolitics" title="Metapolitics"><img alt="Metapolitics" border="0" src="http://photo.goodreads.com/books/1172799025s/218846.jpg" width="39" /></a></div><br />
      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/218843.Polemics" title="Polemics"><img alt="Polemics" border="0" src="http://photo.goodreads.com/books/1172799024s/218843.jpg" width="39" /></a></div><br />
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      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/171255.Precarious_Life_The_Power_of_Mourning_and_Violence" title="Precarious Life: The Power of Mourning and Violence"><img alt="Precarious Life: The Power of Mourning and Violence" border="0" src="http://photo.goodreads.com/books/1172386649s/171255.jpg" width="39" /></a></div><br />
      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/239377.Out_of_this_World_Deleuze_and_the_Philosophy_of_Creation" title="Out of this World: Deleuze and the Philosophy of Creation"><img alt="Out of this World: Deleuze and the Philosophy of Creation" border="0" src="http://photo.goodreads.com/books/1173027917s/239377.jpg" width="39" /></a></div><br />
      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/156639.A_New_Philosophy_of_Society_Assemblage_Theory_And_Social_Complexity" title="A New Philosophy of Society: Assemblage Theory And Social Complexity"><img alt="A New Philosophy of Society: Assemblage Theory And Social Complexity" border="0" src="http://photo.goodreads.com/books/1172263053s/156639.jpg" width="39" /></a></div><br />
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      <div class="gr_grid_book_container"><a href="http://www.goodreads.com/book/show/85833.The_Time_That_Remains_A_Commentary_On_The_Letter_To_The_Romans" title="The Time That Remains: A Commentary On The Letter To The Romans (Meridian)"><img alt="The Time That Remains: A Commentary On The Letter To The Romans" border="0" src="http://photo.goodreads.com/books/1171062632s/85833.jpg" width="39" /></a></div><br />
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<p><br />
Agamben, Giorgio<br />
<a href="http://www.amazon.com/gp/product/0804732183?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804732183">Homo Sacer: Sovereign Power and Bare Life </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804732183" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1844675718?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844675718">Infancy and History: On the Destruction of Experience </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1844675718" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0816630364?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816630364">Means Without End: Notes on Politics</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816630364" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0822335379?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0822335379">Politics, Metaphysics, and Death: Essays on Giorgio Agamben's Homo Sacer</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0822335379" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0804732787?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804732787">Potentialities: Collected Essays in Philosophy</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804732787" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/189095182X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=189095182X">Profanations</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=189095182X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/189095117X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=189095117X">Remnants of Auschwitz: The Witness and the Archive</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=189095117X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0226009254?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0226009254">State of Exception</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0226009254" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0816622353?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816622353">The Coming Community </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816622353" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0804735549?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804735549">The Man Without Content</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804735549" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0804747385?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804747385">The Open: Man and Animal</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804747385" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0804743835?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804743835">The Time That Remains: A Commentary on the Letter to the Romans</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804743835" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Auge, Marc<br />
<a href="http://www.amazon.com/gp/product/1844673111?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844673111">Non-Places: Introduction to an Anthropology of Supermodernity</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1844673111" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/2012790380?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=2012790380">Un Ethnologue Dans Le Metro</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=2012790380" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Austin, John Langshaw<br />
<a href="http://www.amazon.com/gp/product/0674411528?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0674411528">How to Do Things with Words: Second Edition </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0674411528" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Badiou, Alain<br />
<a href="http://www.amazon.com/gp/product/0816634610?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816634610">Badiou: A Subject to Truth</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816634610" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0816631409?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816631409">Deleuze: The Clamor of Being</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816631409" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1859844359?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1859844359">Ethics: An Essay on the Understanding of Evil</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1859844359" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0804744092?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804744092">Handbook Of Inaesthetics</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804744092" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826479294?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826479294">Infinite Thought: Truth And The Return To Philosophy </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826479294" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/184467567X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=184467567X">Metapolitics</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=184467567X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1844670899?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844670899">Polemics</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1844670899" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826493246?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826493246">Theoretical Writings: Alain Badiou </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826493246" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826459072?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826459072">Think Again: Alain Badiou and the Future of Philosophy</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826459072" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Butler, Judith<br />
<a href="http://www.amazon.com/gp/product/0231118953?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0231118953">Antigone's Claim</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0231118953" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/185984278X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=185984278X">Contingency, Hegemony, Universality: Contemporary Dialogues on the Left</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=185984278X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0415915880?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0415915880">Excitable Speech: A Politics of the Performative</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0415915880" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0415389550?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0415389550">Gender Trouble: Feminism and the Subversion of Identity </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0415389550" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0823225046?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0823225046">Giving an Account of Oneself</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0823225046" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1844675440?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844675440">Precarious Life: The Power of Mourning and Violence (Reprint)</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1844675440" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0804728127?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804728127">The Psychic Life of Power: Theories in Subjection</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804728127" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0415969239?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0415969239">Undoing Gender</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0415969239" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Certeau, Michel de<br />
<a href="http://www.amazon.com/gp/product/0520236998?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0520236998">The Practice of Everyday Life</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0520236998" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Chomsky, Noam<br />
<a href="http://www.amazon.com/gp/product/1859840116?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1859840116">Chomsky's Politics</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1859840116" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0374523495?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0374523495">Deterring Democracy</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0374523495" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0262530708?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0262530708">Language and Problems of Knowledge: The Managua Lectures </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0262530708" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0896083667?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0896083667">Necessary Illusions: Thought Control in Democratic Societies</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0896083667" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/B00217XAE8?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=B00217XAE8">Terrorizing the Neighborhood: American Foreign Policy in the Post-Cold War Era</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=B00217XAE8" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1878825038?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1878825038">The  Prosperous Few and the Restless Many </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1878825038" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0231101562?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0231101562">World Orders, Old and New</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0231101562" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1583224890?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1583224890">9-11</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1583224890" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Debord, Guy<br />
<a href="http://www.amazon.com/gp/product/0946061122?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0946061122">Society of the Spectacle</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0946061122" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1859841694?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1859841694">Comments on the Society of the Spectacle </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1859841694" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>DeLanda, Manuel<br />
<a href="http://www.amazon.com/gp/product/0826491693?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826491693">A New Philosophy of Society: Assemblage Theory And Social Complexity</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826491693" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Deleuze, Gilles<br />
<a href="http://www.amazon.com/gp/product/0816614008?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816614008">Cinema 1: The Movement-Image</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816614008" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0816616779?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816616779">Cinema 2: The Time-Image</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816616779" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0816616744?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816616744">Foucault</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816616744" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0816615152?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816615152">Kafka: Toward a Minor Literature </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816615152" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0231075812?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0231075812">Negotiations 1972-1990</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0231075812" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0936756098?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0936756098">Nomadology: The War Machine</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0936756098" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0936756012?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0936756012">On The Line (Foreign Agents)</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0936756012" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1844675556?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844675556">Out of this World: Deleuze and the Philosophy of Creation</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1844675556" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1890951250?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1890951250">Pure Immanence: Essays on A Life</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1890951250" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Foucault, Michel<br />
<a href="http://www.amazon.com/gp/product/0679753346?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0679753346">The Birth of the Clinic: An Archaeology of Medical Perception</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0679753346" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826493629?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826493629">Death And the Labyrinth: The World of Raymond Roussel</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826493629" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0679752552?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0679752552">Discipline & Punish: The Birth of the Prison</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0679752552" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/1584350113?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1584350113">Fearless Speech</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1584350113" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0226137147?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0226137147">Foucault and His Interlocutors</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0226137147" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/157027018X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=157027018X">Foucault Live: Interviews, 1961-84</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=157027018X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0394738624?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0394738624">Herculine Barbin (Being the Recently Discovered Memoirs of a Nineteenth Century French Hermaphrodite)</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0394738624" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0803268572?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0803268572">I, Pierre Riviere, having slaughtered my mother, my sister, and my brother: A Case of Parricide in the 19th Century</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0803268572" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/067972110X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=067972110X">Madness and Civilization: A History of Insanity in the Age of Reason</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=067972110X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/041528533X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=041528533X">Michel Foucault (Key Sociologists)</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=041528533X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/039473954X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=039473954X">Power/Knowledge: Selected Interviews and Other Writings, 1972-1977</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=039473954X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0312422660?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0312422660">"Society Must Be Defended": Lectures at the College de France, 1975-1976</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0312422660" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0394711068?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0394711068">The Archaeology of Knowledge & The Discourse on Language</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0394711068" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0679724699?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0679724699">The History of Sexuality, Vol. 1: An Introduction</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0679724699" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0394751221?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0394751221">The History of Sexuality, Vol. 2: The Use of Pleasure</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0394751221" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0394741552?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0394741552">The History of Sexuality, Vol. 3: The Care of the Self</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0394741552" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0679753354?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0679753354">The Order of Things: An Archaeology of the Human Sciences</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0679753354" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0385472404?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0385472404">The Passion of Michel Foucault</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0385472404" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0520236947?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0520236947">This Is Not a Pipe </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0520236947" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Freire, Paulo<br />
<a href="http://www.amazon.com/gp/product/0897891260?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0897891260">Literacy: Reading the Word and the World</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0897891260" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/8521900651?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=8521900651">Medo e Ousadia: O Cotidiano do Professor</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=8521900651" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826477909?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826477909">Pedagogy Of Hope: Reliving Pedagogy Of The Oppressed</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826477909" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826412769?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826412769">Pedagogy of the Oppressed</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826412769" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826406122?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826406122">Pedagogy of the City</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826406122" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/082641088X?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=082641088X">The Paulo Freire Reader</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=082641088X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Grosz, Elizabeth<br />
<a href="http://www.amazon.com/gp/product/0262571498?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0262571498">Architecture from the Outside: Essays on Virtual and Real Space </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0262571498" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Habermas, Jürgen<br />
<a href="http://www.amazon.com/gp/product/0807041777?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0807041777">Toward a Rational Society: Student Protest, Science, and Politics</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0807041777" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Hardt, Michael<br />
<a href="http://www.amazon.com/gp/product/0674006712?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0674006712">Empire</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0674006712" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826473288?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826473288">Time For Revolution </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826473288" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>May, Todd<br />
<a href="http://www.amazon.com/gp/product/0271028890?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0271028890">The Political Philosophy of Poststructuralist Anarchism</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0271028890" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Marazzi, Christian     <br />
<a href="http://www.amazon.com/gp/product/1584350539?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1584350539">Autonomia: Post-Political Politics </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1584350539" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Meillassoux, Quentin<br />
<a href="http://www.amazon.com/gp/product/0826496741?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826496741">After Finitude: An Essay on the Necessity of Contingency</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826496741" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Mouffe, Chantal<br />
<a href="http://www.amazon.com/gp/product/0415305217?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0415305217">On the Political </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0415305217" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Nancy, Jean-Luc<br />
<a href="http://www.amazon.com/gp/product/0804739757?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804739757">Being Singular Plural</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804739757" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0816626111?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0816626111">The Sense of the World</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0816626111" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Rancière, Jacques<br />
<a href="http://www.amazon.com/gp/product/1844672972?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844672972">The Future of the Image</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1844672972" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0826489540?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0826489540">The Politics of Aesthetics</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0826489540" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0804719691?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0804719691">The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0804719691" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Retort<br />
<a href="http://www.amazon.com/gp/product/1844670317?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1844670317">Afflicted Powers: Capital and Spectacle in a New Age of War</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1844670317" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Sassen, Saskia<br />
<a href="http://www.amazon.com/gp/product/1565845188?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1565845188">Globalization and Its Discontents: Essays on the New Mobility of People and Money</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1565845188" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Spivak, Gayatri Chakravorty<br />
<a href="http://www.amazon.com/gp/product/0674177649?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0674177649">A Critique of Postcolonial Reason: Toward a History of the Vanishing Present</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0674177649" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Vienet, Rene<br />
<a href="http://www.amazon.com/gp/product/0936756799?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0936756799">Enrages and Situationists in the Occupation Movement: Paris, May, 1968</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0936756799" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Virilio, Paul<br />
<a href="http://www.amazon.com/gp/product/1570270848?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1570270848">Politics of the Very Worst</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1570270848" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /><br />
<a href="http://www.amazon.com/gp/product/0500976252?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=0500976252">Unknown Quantity</a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=0500976252" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>

<p>Virno, Paolo<br />
<a href="http://www.amazon.com/gp/product/1584350504?ie=UTF8&tag=detour07-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1584350504">Multitude between Innovation and Negation </a><img src="http://www.assoc-amazon.com/e/ir?t=detour07-20&l=as2&o=1&a=1584350504" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /></p>]]>
        
    </content>
</entry>

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