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February 2009 Archives

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EXPERIMENTAL GEOGRAPHY
Curated by Nato Thompson
Rochester Arts Center
February 6 - April 19, 2009

Experimental Geography presents a panoptic view of this new practice through a wide range of mediums including interactive computer units, sound and video installations, photography, sculpture, and experimental cartography created by 18 artists or artist teams from six countries as well as the United States.

Geography can involve the study of specific histories, sites, and memories. Every estuary, landfill, and cul-de-sac has a story to tell. The task of the geographer is to alert us to what is directly in front of us, while the task of the experimental geographer -- an amalgam of scientist, artist, and explorer -- is to do so in a manner that deploys aesthetics, ambiguity, poetry, and a dash of empiricism.

The manifestations of "experimental geography" (a term coined by geographer Trevor Paglen in 2002) run the gamut of contemporary art practice: sewn cloth cities that spill out of suitcases, bus tours through water treatment centers, performers climbing up the sides of buildings, and sound art of the breaths exhaled in running the evacuation route of Boston. In the hands of contemporary artists, the study of humanity's engagement with the earth's topography becomes a riddle best solved in experimental fashion.

The approaches used by the artists featured in Experimental Geography range from a poetic conflation of humanity and the earth to more empirical studies of our planet. Ilana Halperin melds immediate physical and personal actions with geologic contexts; she offers poetic conflations of differing fields of interest. Creating projects that are more empirically minded, The Center for Land Use Interpretation (CLUI), a research organization, explores the nature and extent of human interaction with the earth's surface, embracing a multidisciplinary approach to fulfilling its mission. Using skill sets culled from the toolbox of geography, the work re-familiarizes the viewer with the overlooked American landscape, including man-made islands, submerged cities, traffic in Los Angeles, and the broadcast antennas in the San Gabriel Mountains, and other details drawn from everyday experience.

Artists In the Exhibition: Francis Alys, AREA Chicago, The Center for Land Use Interpretation (CLUI), Center for Urban Pedagogy (CUP), kanarninka (Catherine D'lgnazio), e-Xplo, Ilana Halperin, Julia Meltzer and David Thorne, Lize Mogel, Multiplicity, Trevor Paglen, Raqs Media Collective, Ellen Rothenberg, Spurse, Deborah Stratman, Daniel Tucker (project organizer), Alex Villar, and Yin Xiuzhen.

Experimental Geography is a traveling exhibition organized and circulated by iCI (Independent Curators International), New York. The guest curator for the exhibition is Nato Thompson. The exhibition, tour, and catalogue are made possible, in part, by the Horace W. Goldsmith Foundation, the iCI Advocates and the iCI Partners, Gerrit L. and Sydie Lansing, and Barbara and John Robinson. Its presentation at DePauw University has been generously funded by the Richard D. and Barbara Dixon Harrison Exhibition Fund.

The exhibition is accompanied by an illustrated catalogue co-published by iCI and Melville House Publishing. The catalogue includes essays by curator Nato Thompson, art historian Jeffrey Kastner, and artist Trevor Paglen; artist's statements; and brief texts on forms of artistic practice.

Nato Thompson is a curator at Creative Time, New York, as well as a writer and activist. Among his public projects for Creative Time are Waiting for Godot in New Orleans, a project by Paul Chan in collaboration with The Classical Theatre of Harlem, and Mike Nelson: A Psychic Vacuum. Thompson was formerly a curator at MASS MoCA, where his exhibitions included The Interventionists: Art in the Social Sphere and Ahistoric Occasion: Artists Making History.

Founded in 1975, iCI is a non-profit organization dedicated to enhancing the understanding and appreciation of contemporary art through traveling exhibitions and other activities that reach a diverse national and international audience. Collaborating with a wide range of eminent curators, iCI develops innovative traveling exhibitions, accompanied by catalogues and other educational materials, to introduce and document challenging new work in all mediums by younger as well as more established artists from the United States and abroad.


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ROCHESTER ARTS CENTER
40 Civic Center Drive SE
Rochester, MN 55904
www.rochesterartcenter.org



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SUBVERSIVE SPACES
Surrealism and Contemporary Art
Curated by Anna Dezeuze, Sam Lackey and David Lomas
The Whitworth Art Gallery
February 7 - May 4, 2009


ARTISTS
Surrealists: Dorothea Tanning, Claude Cahun, Salvador Dalí­, Max Ernst, René Magritte, Hans Bellmer, Dora Maar, Jacques-André Boiffard, Brassaï, Giorgio De Chirico, Eugéne Atget, Humphrey Spender, Henri Michaux.
Contemporary: Lucy Gunning, Anna Gaskell, Sarah Lucas, Douglas Gordon, Markus Schwinwald, Paula Rego, Francesca Woodman, Robert Gober, Mona Hatoum, William Anastasi,Tony Oursler, Ralph Rumney, Katie Holten, Francis Alÿs, Alex Villar.


The familiar spaces of The Whitworth Art Gallery are disturbed and subverted by this major exhibition, which traces the affinities between the work of historical Surrealist artist and visual culture today.

The usually sunlit South Gallery becomes shrouded in darkeness for a new work by internationally acclaimed German artist Gregor Schneider, winner of the Golden Lion award in Venice in 2001. This darkened space is the setting for Kinderzimmer, a replica of a nursery that was part of a village demolished to make way for an opencast mine near where the artist lives in the Rhineland. It's ghostly presence draws attention to the effects of industry on landscape and community in both Germany and post-industrial Manchester.

Subversive Spaces examines past and present representations of space through two main locations: the domestic interior and the streets of the city. Moving from the work of Salvador Dalí and René Magritte where nothing is what it seems, to the dangerous playpens of Mona Hatoum and Robert Gober, the home becomes a locale for unease and disquiet rather than comfort. Meanwhile the city streets, wastelands and ruins are considered as sites to be reclaimed by the artist. Following the Surrealists' random explorations of Paris, visually represented in the photographs of a disappearing city by Brassai and by Eugene Atget, the exhibition looks at contemporary artists' routes around the city including Alex Villar's attempts to inhabit cracks and gaps around the city to Francis Alÿs' interaction with London's streets.

There will be an extended opportunity to view Kinderzimmer by Gregor Schneider as this part of the exhibition continues until Sunday 31 May 2009.


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THE WHITWORTH ART GALLERY
The University of Manchester,
Oxford Road, Manchester, M15 6ER
0161 275 7450
www.whitworth.manchester.ac.uk



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