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group: September 2009 Archives

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EXPERIMENTAL GEOGRAPHY
Curated by Nato Thompson
Miller Gallery
October 9 - January 21, 2009

Experimental Geography presents a panoptic view of this new practice through a wide range of mediums including interactive computer units, sound and video installations, photography, sculpture, and experimental cartography created by 18 artists or artist teams from six countries as well as the United States.

Geography can involve the study of specific histories, sites, and memories. Every estuary, landfill, and cul-de-sac has a story to tell. The task of the geographer is to alert us to what is directly in front of us, while the task of the experimental geographer -- an amalgam of scientist, artist, and explorer -- is to do so in a manner that deploys aesthetics, ambiguity, poetry, and a dash of empiricism.

The manifestations of "experimental geography" (a term coined by geographer Trevor Paglen in 2002) run the gamut of contemporary art practice: sewn cloth cities that spill out of suitcases, bus tours through water treatment centers, performers climbing up the sides of buildings, and sound art of the breaths exhaled in running the evacuation route of Boston. In the hands of contemporary artists, the study of humanity's engagement with the earth's topography becomes a riddle best solved in experimental fashion.

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The approaches used by the artists featured in Experimental Geography range from a poetic conflation of humanity and the earth to more empirical studies of our planet. Ilana Halperin melds immediate physical and personal actions with geologic contexts; she offers poetic conflations of differing fields of interest. Creating projects that are more empirically minded, The Center for Land Use Interpretation (CLUI), a research organization, explores the nature and extent of human interaction with the earth's surface, embracing a multidisciplinary approach to fulfilling its mission. Using skill sets culled from the toolbox of geography, the work re-familiarizes the viewer with the overlooked American landscape, including man-made islands, submerged cities, traffic in Los Angeles, and the broadcast antennas in the San Gabriel Mountains, and other details drawn from everyday experience.

Artists In the Exhibition: Francis Alys, AREA Chicago, The Center for Land Use Interpretation (CLUI), Center for Urban Pedagogy (CUP), kanarninka (Catherine D'lgnazio), e-Xplo, Ilana Halperin, Julia Meltzer and David Thorne, Lize Mogel, Multiplicity, Trevor Paglen, Raqs Media Collective, Ellen Rothenberg, Spurse, Deborah Stratman, Daniel Tucker (project organizer), Alex Villar, and Yin Xiuzhen.

Experimental Geography is a traveling exhibition organized and circulated by iCI (Independent Curators International), New York. The guest curator for the exhibition is Nato Thompson. The exhibition, tour, and catalogue are made possible, in part, by the Horace W. Goldsmith Foundation, the iCI Advocates and the iCI Partners, Gerrit L. and Sydie Lansing, and Barbara and John Robinson. Its presentation at DePauw University has been generously funded by the Richard D. and Barbara Dixon Harrison Exhibition Fund.

The exhibition is accompanied by an illustrated catalogue co-published by iCI and Melville House Publishing. The catalogue includes essays by curator Nato Thompson, art historian Jeffrey Kastner, and artist Trevor Paglen; artist's statements; and brief texts on forms of artistic practice.

Nato Thompson is a curator at Creative Time, New York, as well as a writer and activist. Among his public projects for Creative Time are Waiting for Godot in New Orleans, a project by Paul Chan in collaboration with The Classical Theatre of Harlem, and Mike Nelson: A Psychic Vacuum. Thompson was formerly a curator at MASS MoCA, where his exhibitions included The Interventionists: Art in the Social Sphere and Ahistoric Occasion: Artists Making History.

Founded in 1975, iCI is a non-profit organization dedicated to enhancing the understanding and appreciation of contemporary art through traveling exhibitions and other activities that reach a diverse national and international audience. Collaborating with a wide range of eminent curators, iCI develops innovative traveling exhibitions, accompanied by catalogues and other educational materials, to introduce and document challenging new work in all mediums by younger as well as more established artists from the United States and abroad.


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MILLER GALLERY
at Carnegie Mellon University
Purnell Center for the Arts
5000 Forbes Ave.
Pittsburgh, PA 15213
412 268-3618
millergallery.cfa.cmu.edu
Maps and Directions



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SUBVERSIVE SPACES
Surrealism and Contemporary Art
Curated by Anna Dezeuze, Sam Lackey and David Lomas
Sainsbury Centre for Visual Arts
29th Sep 2009 - 13th Dec 2009

ARTISTS
Surrealists: Dorothea Tanning, Claude Cahun, Salvador Dalí­, Max Ernst, René Magritte, Hans Bellmer, Dora Maar, Jacques-André Boiffard, Brassaï, Giorgio De Chirico, Eugéne Atget, Humphrey Spender, Henri Michaux.
Contemporary: Lucy Gunning, Anna Gaskell, Sarah Lucas, Douglas Gordon, Markus Schwinwald, Paula Rego, Francesca Woodman, Robert Gober, Mona Hatoum, William Anastasi,Tony Oursler, Ralph Rumney, Katie Holten, Francis Alÿs, Alex Villar.

Subversive Spaces examines past and present representations of space through two main locations: the domestic interior and the streets of the city. Moving from the work of Salvador Dalí and René Magritte where nothing is what it seems, to the dangerous playpens of Mona Hatoum and Robert Gober, the home becomes a locale for unease and disquiet rather than comfort. Meanwhile the city streets, wastelands and ruins are considered as sites to be reclaimed by the artist. Following the Surrealists' random explorations of Paris, visually represented in the photographs of a disappearing city by Brassai and by Eugene Atget, the exhibition looks at contemporary artists' routes around the city including Alex Villar's attempts to inhabit cracks and gaps around the city to Francis Alÿs' interaction with London's streets.

Related info
Catalog


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SAINSBURY CENTRE FOR VISUAL ARTS
University of East Anglia
Norwich NR4 7TJ UK
01603 593199
www.scva.org.uk
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CITY BEATS
Curated by Berit Fischer
Dorsky Gallery | Curatorial Programs
September 13- November 15, 2009


City Beats employs video to compile a polyrhythmic cacophony of glances at non-events within the urban commonplace and offers new ways of looking at and questioning structured relationships between the elements of time and place, private and public, framework and content. Similar to the implications of rhythm, the pulse of a metropolis is pervaded by regulated recurring patterns and repetitions of behaviors, habits and urban rituals. Prescriptive codes that define daily life correlate with micro geographies in which the human body defines the social and biological rhythm. While interrogating the ways our daily actions are conditioned and controlled, City Beats creates a temporal look at urban space and the human condition within it. Urban space, (insomuch as it is a primary, representative space of a given society) is a social product, a complex social construction that is based on a shared system of cultural values and the social production of meanings that affect spatial practices and perceptions.

The artists in City Beats - Laura Bruce, Rainer Ganahl, Dryden Goodwin, Alexander Heim, Ben Judd, Stephan Pascher, Jeff Preiss, and Alex Villar - respond to both physical architecture as well as sociopolitical and psychogeographical environments and structures; the exhibition aims to stimulate in its viewers a new and critical awareness of the urban everyday.

About the curator
Berit Fischer has been an independent curator for contemporary art since 1999. Previously based in New York and London, she currently lives and works in Berlin, Germany. She is one of the co-founding curators of The Brewster Project (2001) and has curated shows in the U.S.A. including the Brooklyn Waterfront Outdoor Sculpture exhibition at the Fulton Ferry Park, D.U.M.B.O Arts Festival, and Cuchifritos, and internationally at Intrude 366 at Zendai MoMA, Shanghai (China) and the Standpoint Gallery (London, UK) among many others. She was awarded a residency at Delfina Studio Trust (London, UK) and participated at the European Course for Contemporary Art Curators (Milan, Italy) with visiting professor Charles Esche. Additionally, Ms. Fischer has worked since 2006 for the arts journal Afterall (London, UK).

About DGCP
Dorsky Gallery Curatorial Programs is a 501(c)(3) not-for-profit organization that presents independently-curated exhibitions of contemporary art. Working with curators, writers, and art historians, DGCP aims to illuminate and deepen the public's understanding and appreciation of issues and trends in contemporary art. Contact David Dorsky at (718) 937-6317 or via email at david@dorsky.org

More info
Exhibition brochure
Conversation and reading


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DORSKY GALLERY | Curatorial Programs
11-03 45th Ave., Long Island City, NY 11101 tel 718.937.6317
Gallery hours: Thursday through Monday, 11:00 a.m. to 6:00 p.m. (closed Tuesday and Wednesday), and by appointment.
www.dorsky.org
Map and directions



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